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THE 


FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART VI 


PRINTS OF THE 
NINETEENTH CENTURY 


TO BE SOLD 


MONDAY, TUESDAY, AND WEDNESDAY EVENINGS 
_ FEBRUARY 26, 27, AND 28 


} 7 r ee 


AT 8:15 o’cuLock 


On Public Echibition from February 19th 


THE ANDERSON GALLERIES 


Mapison AVENUE AT FORTIETH STREET 
NEW YORK 


CONDITIONS OF SALE 


1. All bids to be PER Lor as numbered in the Catalogue. 


2. The highest bidder to be the buyer; in all cases of disputed bids 
the lot shall be resold, but the Auctioneer will use his judgment as to 
the good faith of all claims and his decision shall be final. He also 
reserves the right to reject any fractional or nominal bid which in his 
judgment may delay or injuriously affect the sale. 


3. Buyers to give their names and addresses and to make such cash 
payments on account as may be required, in default of which the lots 
purchased to be resold immediately. 


4. The lots to be taken away at the buyer’s expense and risk within 
twenty-four hours from the conclusion of the sale, and the remainder of 
the purchase money to be absolutely paid on or before delivery, in default 
of which The Anderson Galleries, Incorporated, will not be responsible 
if the lot or lots be lost, stolen, damaged, or destroyed, but they will be 
left at the sole risk of the purchaser, and subject to storage charges. 


5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of purchases, no lot will be delivered during the sale. 


6. All lots will be exposed for public exhibition in The Anderson 
Galleries before the date of sale, for examination by intending pur- 
chasers, and The Anderson Galleries, Incorporated, will not be responsible 
for the correctness of the description, authenticity, genuineness, or for 
any defect or fault in or concerning any lot, and makes no warranty 
whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But 
upon receiving before the date of sale, expert opinion in writing that 
any lot is not as represented, The Anderson Galleries, Incorporated, will 
use every effort to furnish proof to the contrary, and in default of such 
proof the lot will be sold subject to the declaration of the aforesaid 
expert, he being liable to the owner or owners thereof for damage or 
injury occasioned by such declaration. 


7. TERMS CasH. Upon failure to comply with the above conditions 
any sum deposited as part payment shall be forfeited, and all such lots 
as remain uncleared after twenty-four hours from the conclusion of the 
sale, will be resold by either private or public sale at such time as The 
Anderson Galleries, Incorporated, shall determine, without further notice, 
and if any deficiency arises from such re-sale it shall be made good by the 
defaulter at this sale together with all the expenses incurred thereby. 
This condition shall be without prejudice to the right of The Anderson 
Galleries, Incorporated, to enforce the contract with the buyer, without 
such re-sale. 


8. Bios. We make no charge for executing orders for our customers 
and use all bids competitively, buying at the lowest price permitted by 
other bids. 


9. The Anderson Galleries, Incorporated, will afford every facility for 
the employment of carriers and packers by the purchasers, but will not 
be responsible for any damage arising from the acts of such carriers and 
packers. 


The Prints will be on Exhibition from February 19th 
Priced Copy of this Catalogue may be secured for $1.50 


The Anderson Galleries 


Incorporated, 


MapDISON AVENUE AT FoRTIETH STREET, NEw YORK. 
TELEPHONE, Murray HIuu, 7680 


SALES CONDUCTED BY MR, FREDERICK A. CHAPMAN. 


PREFACE 


The prints here catalogued form the sixth division of the 
great collection made during many years by Mr. Frederic R. 
Halsey, of New York, and are exclusively the work of the 
engravers and etchers of the XI Xth Century. Many fine 
examples are included of line engravings, stipples, mezzotints, 
and etchings by English, French, German, Italian, and Ameri- 


ean artists. 


The engraving by Samuel Cousins of the portrait of Eliza- 
beth Fry by Richmond; the Mont St. Michel and Limburg on 
the Lahn, by Haig; La Bergerie, the masterpiece of Jacque; 
and some of the engravings by Desnoyers, Gaillard, Gulland, 
Lupton, and Richomme are very fine. Haden is represented 
by many etchings, including Windsor, An Early Riser (very 
rare), and a beautiful impression of Shere Mill Pond, one of 


the finest of all landscape etchings. 


Meissonier’s Le Portrait du Sergent, La Partie de Piquet, 
and Les Renseignments etched by Jacquet and Boulard are 
very attractive. Hedley Fitton is represented by thirty ex- 
amples, including the Shrine of Edward, the Rose Window, 


and other masterpieces. 


The engravers of mezzotints printed in colors contribute a 
large number of rarities. H. T. Greenhead, J. Percy Sabin, 
F. G. Stevenson, Sydney E. Wilson, and S. Arlent Edwards 
are a group never represented more creditably than in this 


sale. Wilson’s twenty mezzotints include Lady Hallett, Nature, 


Lady Hamilton, Master Hare, and Lady Smyth, and among 
the eighty-seven by Edwards are all his masterpieces, includ- 
ing several very choice impressions from private plates. No 
collector ever secured better impressions of the work of this 
favorite artist than Mr. Halsey, to whom some of the plates 


were dedicated. 


Of the work of Robert Strange the collection contains three 
famous prints—Chariles I in his Coronation Robes, Charles I 
and the Duke of Hamilton, and Henrietta Maria, all engraved 
after the portraits by Van Dyck. Boucher etched many 
paintings by W. Dendy Sadler, and this collection contains 
the Butler’s Glass, Darby and Joan, Home Brewed, Old and 
Crusted, Over the Nuts and Wine, Where the Widow Lives, 
and Who Is It?—all great favorites with discriminating 


collectors. 


The Sistine Madonna engraved by Miller after Raphael is 
one of the most famous of all reproductive works. Mr. Halsey 
had a superb impression of a very rare state. Another cele- 
brated line engraving not unworthy to be mentioned with 


Miiller’s masterpiece is Rosaspina’s Dance of Cupids. 


The collection of etchings by Whistler includes several 
signed by him in pencil with the Butterfly which were printed 
by him, and among the many exceedingly desirable examples 
of the work of this master are Lime House, Eagle Wharf, The 
Pool, Thames Police, the Lime Burner, Rotherhithe, Old 
Hungerford Bridge, Adam and Eve Tavern, and Black Lion 
Wharf, which Pennell declared to be the greatest engraved 


plate of modern times. 


THE 
FREDERIC R. HALSEY 
COLLECTION OF PRINTS 


PART VI 


NINETEENTH CENTURY PRINTS 


FIRST SESSION 
Monday Evening, February 26, 1917, at 8:15 o’clock 
LOTS 1-167 


NOTE—The titles of the Prints and the places and dates of 
publication have been quoted in this Catalogue with exactness, 
and the errors in spelling and punctuation have been reproduced 
to facilitate collectors in making comparisons. 


H. ADLARD 
Reproductive engraver of the early XIXth Century. 


1 VIRGIN AND CHILD 
Engraving after Alonso Cano. India paper proof with 
full margin. Fine. With four other miscellaneous 
engravings. (5) 


PIETRO ANDERLONI 


1784-1849 
Pupil of G. Longhi. 


2 DIE MADONNA IM GRUNEN 
Line engraving after Raphael. Apell No. 8. First 
state before all letters. Superb impression in perfect 
condition. 


ANSPACH 
Reproductive engraver of the early XIXth Century. 


3 ANNIBALE CARRACCI 


Mixed stipple engraving after Carracci. Open letter 
proof on Dutch paper. With margin. Fine. 


ADOLPHE APPIAN 
1819-1898 
French painter and etcher: Pupil of Corot and Daubigny. His etch- 
ings are always graceful and charming in design. 


4 BATEAUX EN REPOS 


Painter-etching. Not mentioned by Beraldi. Proof 
before all letters on imperial Japan paper. With 
margin. Slightly rubbed near the edge. 


THOMAS G. APPLETON 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


2 PRINCESS CAROLINE 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With full margin. 


6 DANCING DOGS 


Mezzotint printed in colors after the painting by 
George Morland. Signed artist’s proof on India paper. 
With full margin. 


7 COUNTESS GREY AND HER DAUGHTERS 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With full margin. : 


8 MRS. JORDAN 
Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


9 MISS FANNY KEMBLE 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With margin. Limited to 300 
proofs. 


6 


\ eo 


FRANK ATKINSON 


English mezzotint engraver of the school of Samuel Cousins. 


10 LADY SONDES 


Mezzotint after Thomas Gainsborough. Signed artist’s 
proof on India paper. With full margin. 


F. L. ATKINSON 
Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 
11 THE SCHOOL GIRL 


Mezzotint after Kate Greenaway. Artist’s proof on 
India paper. Signed by both artists. With full margin. 


JOEL BALLIN 
1822-1885 
Danish engraver and mezzotint engraver working in Paris and London. 


12 HENRY VII AND ANNE BOLEYN 


Engraving after C. von Piloty. Two impressions, one 
an unfinished trial proof on India paper and signed 
by the engraver in pencil, the other an impression with 
the inscription on plate-paper. Both with full margins. 


FRANCESCO BARTOLOZZI 
1727-1815 


18 DEATH OF LORD CHATHAM IN PARLIAMENT 
Engraving after John Singleton Copley. Fine proof 
before the title. In perfect condition. 


CARL BEGAS 


1794-1854 
German painter and engraver. Professor at the Academy of Fine 
Arts, Berlin. 


14 PORTRAIT OF CARL BEGAS 
Mezzotint after his own design. Proof before all letters 
on plate-paper. With full margin. A fine portrait. 


és 


CHARLES CLEMENT BERVIC 
1756-1822 
Celebrated French line engraver and Wille’s most eminent pupil. 


Few engravers have equalled him in technical skill, He was a member 
of the Institute of France and most of the Academies of Europe. 


15 THE RAPE OF DEJANEIRA 


Engraving after Guido Reni. Apell No. 2. Fourth 

state. Fine impression on Dutch paper trimmed to - 5° 

the plate-mark. x ee 
Companion to No. 16. Uv 


16 THE EDUCATION OF ACHILLES 


Engraving after Regnault. Apell No. 3. Fourth state. 
Impression on Dutch paper trimmed to the plate-mark. 
Companion to No. 15. aa ‘i 
‘‘Bervic’s next important works were the companion prints, \)~ 
‘The Education of Achilles,’ after the painting by Regnault, , 
in which the painter Carle Vernet, at the age of twenty, is said 
to have served as a model for Achilles, and the ‘Rape of 
Dejaneira’ after Reni.’’—W. O. Chapman. 


17 LAOCOON 


Engraving after the antique statue. Apell No. 4 (0° 
Second state before the address of the printer Ramboz. ~~ 
Fine impression on Dutch paper. With margin. 


ALBERT BIERSTADT 


1830-1902 
American painter of German extraction. Pupil of OC. F. Lessing. 
18 THE ROCKY MOUNTAINS Sr, 


Line-engraving by Smillie. Proof on India paper. oe! 
Signed by the painter only. With full margin. 


MICHELE BISI 
1788-? 
Pupil of Giuseppe Longhi. Worked in Milan. 


19 VENUS AND CUPID 
Engraving after A. Appiani. Apell No. 3. Third ead 


2) A 
state. Impression with the inscription on Dutch 4 
paper; with margin. With the autograph signature 
of the artist in pencil. 
‘‘In 1819 he undertook a series of engravings from the 
paintings of Appiani. His engraving ‘Venus embracing Cupid’ 
happily expresses the beauty of the original picture.’’—Bryan. 


8 


WILLIAM BLAKE 


1757-1827 
One of the most distinguished English painters and engravers. 


20 CHAUCER’S CANTERBURY PILGRIMS 


Painter-etching. Russell No. 24. Final state. The 
address is burnished out and the following words are 
added: ‘‘Ye gon to Canterbury God mote you spede.’’ 


AUGUSTE BLANCHARD (pére) 
1766-after 1832 
French vignettist and line engraver. 


21 ELISABETH DE BOURBON 


Engraving after Rubens. Apell No. 6. Open letter 
proof on India paper. With full margin. 


MAURICE BLOT 
1753-1818 
French engraver, pupil of Augustin de Saint Aubin. 


22 THE JUDGMENT OF PARIS 


Engraving after A. van der Werff. Apell No. 5. First 
state. Proof before the title, on Italian paper. With 
small margin. Fine. 


23 LES BERGERS D’ARCADIE 


Engraving after N. Poussin. Apell No. 9. Second 
state. Open letter proof. With margin. (A slight 
repair in the lower margin.) 


FRANK BRANGWYN 
1867- 
Celebrated English painter and etcher. 


24 SAINT AUSTREBERTHE, MONTREUIL 


Painter-etching. Signed artist’s proof on Whatman 
paper. With full margin. 


25 NOTRE DAME D’EU 


Painter-etching. Signed artist’s proof on plate-paper. 
With untrimmed margin. 


9 


H. SCOTT BRIDGEWATER 


Contemporary English mezzotint engraver of the school of : 
Samuel Cousins. 4 RS 
26 THE DUCHESS OF DEVONSHIRE Dee ah 


Mezzotint after John Downman. Signed artist’s proof | ye 
on India paper. With full margin. 


27 MRS. HOME DRUMMOND pe ee 
Mezzotint after Sir Henry Raeburn. Signed artist’s > — 
proof on India paper. With full margin. 

28 MRS. GROVE cb, 


Mezzotint after George Romney. Signed artist’s proof  ~ ) : 
on India paper. With full margin. Limited to 300 
proofs. 


29 MRS. CARMICHAEL SMYTH oe? 


\ 
} 


Mezzotint after Sir Henry Raeburn. Signed artist’s or 
proof on India paper. With full margin. Limited to 
300 proofs. ar, 


30 MRS. HENRIETTA VERNON caer 


ty 
Mezzotint after George Romney. Signed artist’s proof | 
on India paper. With full margin. 


31 LADY ARABELLA WARD Je 


Mezzotint after George Romney. Signed artist’s proof ~< 
on India paper. With full margin. 


JAMES BROMLEY 
1800-1838 


English mezzotint engraver. A younger brother of the mezzotint 
engraver John Charles Bromley. 


32 THE DUCHESS OF KENT Cie 


a 
Mezzotint after Hayter. Proof before the title (printed 
from a separate inscription-plate). Impression on 
plate-paper. With margin. In fine condition. 


10 


a 


FELIX BUHOT 
1847-1898 
A French painter-etcher of unique individuality. 


33 LA FETE NATIONALE AU BOULEVARD CLICHY 


Painter-etching. Bourcard No. 127. Third state; be- | 
fore the plate was aquatinted. Signed artist’s proof 
on yellowish Whatman paper. With full margin. 


JOHN BURNET 
1784-1868 
English reproductive engraver and pupil of R. Scott. He engraved 
much after David Wilkie. 


34 GREENWICH PENSIONERS COMMEMORATING 
THE BATTLE OF TRAFALGAR | 


Engraving after his own design. Apell No. 4. Second 
state. Open letter proof. With margin trimmed in- 
side the plate-mark, 134 inch at the bottom and 34 inch 
at top and sides. 


35 ANOTHER IMPRESSION OF THE SAME 
First state. Proof before letters on India paper. With 
margin. Fine. 


ULYSSE BUTIN 
1838-1884 
French painter and etcher, pupil of Picot. 


36 L’ATTENTE AU SAMEDI 
Painter-etching. Proof before all letters on heavy 
Japan paper. With full margin. 


J. JARVIS CADE 


Contemporary English mezzotint engraver and color printer. 


37 THE AGE OF INNOCENCE 
Mezzotint after Sir Joshua Reynolds. Signed artist’s 
proof on India paper printed in colors. With margin. 


11 


LUIGI CALAMATTA 


1802-1869 
An Italian engraver who went to Paris and had an immediate suc- 
cess by securing the patronage of Ingres. In 1837 he became a professor 
at the Academy of Fine Arts at Brussels. Among his pupils were 
Flameng, Desvachez, Biot and Charles Blane. 


388 FRANCOISE DE RIMINI 
Engraving after Ary Scheffer. Apell No. 4. Second 
state. Proof before the title, on India paper. With 
full margin. Fine impression. 


39 LISA GIOCONDA (MONA LISA) 
Engraving after Leonardo da Vinci. Apell No. 16. 
Third state. Open letter proof on India paper. With 
full margin. Also an unfinished trial proof. (2) 


40 ANOTHER IMPRESSION OF THE SAME 
Remarque (white peak in distance), proof on India 
paper, state unknown to Apell. With margin trimmed 
inside the plate-mark. Very fine impression. 


EUGENE ANDRE CHAMPOLLION 
1848- 
French reproductive etcher; pupil of Gaucherel. 


41 AU COIN DU JARDIN 
Etching after Casanova. Beraldi No. 1. Proof with 
the etched signature on Japan paper. With full 
margin. Pe 


42 CHOIX DU MODELE 
Etching after Fortuny. Beraldi No. 2. Proof with 
the etched signature, on Japan paper. With margin. 
Fine. 


JOHN JAMES CHANT 


1820-? 


42a THE TRIAL OF WILLIAM LORD RUSSELL 
Mezzotint after Sir Geo. Hayter. Scratched letter 
proof, with small margin. Slightly browned. To- 
gether with the engraving of Wellington and his gen- 
erals. Proof before all letters on India paper. With 
full margins. (2) 
12 


CHARLES CHAPLIN 
1825-1891 
French painter and engraver. 
43 LA JARRETIERE 


Painter-etching. Beraldi No. 39. Colored with the 
brush. Framed. 


TH. CHAUVEL 


44 SABRINA’S STREAM 


Etching after B. W. Leader. Proof on vellum, signed es 
_ by both artists. With full margin. | 


PAUL CHENAY 


45 PORTRAIT OF EUGENE DELACROIX 


Etching after E. Delacroix. Signed remarque proof 
on vellum. With full margin. 


JOSEPH COINY 
1795-1829 
French line engraver, pupil of J. J. Coiny, Gounod, and Bervie. 
46 LA CREATION D’EVE 


Engraving after Michelangelo. Apell No. 1. Second 
state. Traced letter proof on India paper. With 
margin. Slightly rubbed. With the engraving, ‘‘The 
Three Graces,’’ by F. Foster after Raphael, proof be- 
fore the title. (2) 


COLOR FACSIMILES 


47 LADY CRAVEN 
Facsimile after the painting by George Romney. 


48 HESITATION 


Facsimile of W. Ward’s stipple printed in colors ~ 
after his own design. An open letter proof is re-_~ 


produced. 
18 


49 


50 


ol 


D2 


53 


54 


5D 


56 


o7 


58 


59 


60 


61 


MRS. HOARE AND CHILD 
Facsimile after Sir Joshua Reynolds. 


MRS. JORDAN 
Facsimile after Thomas Gainsborough. 


MISS LINDLEY 
Facsimile after Thos. Gainsborough. 


THE DOGE LEONARDO LOREDANO 
Facsimile after Giovanni Bellini. 


THE MINUET 


Facsimile by Lemonnyer after the design of G. A.' 


Loron. 


THE MORNING WALK (SQUIRE HALLETT AND 


HIS WIFE) 
Facsimile after Thomas Gainsborough. 


THE NUT GATHERERS 
Facsimile after Thomas Gainsborough. 


MRS. ROBINSON (PERDITA) 
Facsimile after Thomas Gainsborough. 


LADY SHEFFIELD 


Facsimile after Thomas Gainsborough. ~ 


MADAME TALLEYRAND 
Facsimile after Mme Vigée Lebrun. 


MRS. TICKELL 
Facsimile after George Romney. 


LADY TOWNSEND 
Facsimile after George Romney. 


VENUS AND CUPID 
Photogravure after Velasquez. 
14 


; 
. 


R. COOPER 


62 ANNE BOLEYN 


Engraving after Hans Holbein. Impression with the 
inscription, on India paper. With full margin. 


MRS. M. CORMACK 
1862— 
Contemporary etcher, mezzotint-engraver and color-painter. 


63 DELIA 


Mezzotint after George Morland. Open letter proof 
printed in colors, on plate-paper. With full margin. 


64 NANCY 


Mezzotint after George Morland. Open letter proof 
printed in colors, on plate-paper. With full margin. 


F. COURBOIN 


65 PORTRAIT OF POULET-MALASSIS 
Etching after the drawing by Alphonse Legros. First 
state. Signed proof before the coat-of-arms and addi- 
tional work on the face; 8 proofs only. Also the second 
state with the work mentioned above. Impression on 
papier verdatre; 24 proofs only. (2) 


HENRY COUSINS 
1809-1864 
English mezzotint engraver, brother of Samuel Cousins. 


66 SIR NICOLAS C. TINDAL, Lord Chief Justice of the 
Common Pleas 


Mezzotint after T. Phillips. Lettered proof on India 
paper. With full margin. One of the artist’s master- 
pieces. 


67 VITTORIA D’ALBANO 


Mezzotint after Vernet. Impression with the imscrip- — 


tion on plate-paper. With margin. 
15 


SAMUEL COUSINS 


1801-1887 


Celebrated English mezzotint engraver. Pupil of S. W. Reynolds. In 
1835 he was elected to the Royal Academy, 


68 GEORGE GORDON, EARL ABERDEEN 
Mezzotint after Sir Thomas Lawrence. Whitman No, 2. 


Fourth state. Impression with the inscription, on 
India paper. With margin, 


69 LADY ANNE BINGHAM — 
Mezzotint after Sir Joshua Reynolds. Whitman No. 17. 


First state. Signed proof before all letters, on India 
paper. With full margin. Limited to 300 proofs. Fine. 


70 MISS BOWLES (Love me, love my dog).- 


Mezzotint after Sir Joshua Reynolds. Whitman No. 23. 
First state. Signed artist’s proof on India paper. 
Limited to 275 proofs. With full margin. 


71 WILLIAM BUCKLAND, D.D. 
Mezzotint after T. Phillips. Whitman No. 30. First 


state. Proof before the title; on plate-paper. With 
full margin. 


72 SAMUEL COUSINS 
Mezzotint after Long. Whitman No. 46. First state. 
Signed before all letters, on India paper. With full 
margin. Limited to 175 proofs. Fine impression. This 
was the last plate engraved by Cousins. 


73 JOHN WILSON CROKER 
Mezzotint after Sir Thomas Lawrence. Whitman 
No. 48. First state. Signed proof before all letters, 
on Whatman. paper. With small margin, Fine and 
unique. This is the only known signed proof of the 
first state. 


74 GEORGIANA, DUCHESS OF DEVONSHIRE 


Mezzotint after Sir Joshua Reynolds. Whitman No. 51. 
Signed proof before all letters, on India paper. With 
full margin. Limited to 300 proofs. 


16 


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[NUMBER 78] 


75 


76 


17 


78 


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MICHAEL FARADAY 


Mezzotint after Pickersgill. Whitman No. 59. State 
cannot be ascertained (probably third). Impression 
on plate-paper, with the inscription erased. With full 
margin. 


SIR HENRY BARTLE FRERE 


Mezzotint after T. Phillips. Whitman No. 62. Fourth _- 


state. Impression with the inscription, on plate-paper. 
With full margin. 


ELIZABETH FRY 


Mezzotint after George Richmond. Whitman No. 63. 

Second state. Fine proof before the title and before 

the coat-of-arms, on India paper. With full margin. 
Elizabeth Fry, the philanthropist, was born in 1780 and died 


in 1845. She devoted her life to the amelioration of the con- 
ditions of prison reform and other humane objects. 


THE COUNTESS GOWER AND DAUGHTER 


Mezzotint after Sir Thomas Lawrence. Whitman No. 71. 
Sixth state. Impression with separate inscription plate 
and before the change of the publisher’s name. On 
India paper, with full margin. In fine condition; a 
slight stain in the lower margin. One of the artist’s 
masterpieces. 


(See Illustration.) 


MASTER LAMBTON 


Mezzotint after Sir Thomas Lawrence. Whitman No. 98. 
Second state before the addition of the words ‘‘and sold 
by Colnaghi and Co.’’ Beautiful impression on plate- » 
paper with full margin. (A number of folds in various 
parts of the plate.) An important plate, one of the 
artist’s masterpieces. 


80 MRS. LISTER 


Mezzotint after Newton. Whitman No. 102. Fifth 
state. Impression with the insscription, but before the 
change of publisher’s address. On plate-paper, with 
margin, A slight tear in the prbite margin to the left 
is mended. 


17 


81 


82 


83 


84 


85 


86 


87 


88 


SIR HENRY CRESWICKE RAWLINSON 


Mezzotint after T. Phillips. Whitman No. 134. Second 
state. India paper proof with full margin. Portrait 
of the celebrated historian, president of the Royal 
Asiatic Society and of the Royal Geographic Society. 


MARY, DUCHESS OF RUTLAND 
Mezzotint after Sir Joshua Reynolds. Whitman No. 139. 
Signed proof before all letters, on India paper. With 
full margin. Limited to 325 proofs. Fine impression. 


LAVINIA, COUNTESS SPENCER 
Mezzotint after Sir Joshua Reynolds. Whitman No. 150. 
Signed proof before all letters, on India paper. With 
full margin. Limited to 300 proofs. Very fine. One 
of the artist’s masterpieces. 


CHARLES MANNERS SUTTON (Speaker of the House 


of Commons) 
Mezzotint after Pickersgill. Whitman 159. Fourth 
state. Impression with the inscription, on plate-paper ; 
the margin trimmed within the plate-mark. 


CHERRY RIPE 


Mezzotint after Sir J. E. Millais. Whitman No. 213. 
First state. Fine proof on India paper. Signed by 
both artists. In perfect condition. 


YES OR NO 


Mezzotint after J. E. Millais. Whitman No. 222. First 
state. Artist’s proof on India paper, signed by both 
artists. With full margin. Framed. 


T. HAMILTON CRAWFORD 


MISS CROKER 
Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof printed in colors, on India paper. With full 
margin. 


PROMENADE AT CARLISLE HOUSE 


Mezzotint after J. R. Smith. Signed artist’s proof 
printed in colors, on Holland paper. With full margin. 
Limited to 300 impressions. 


18 


JEAN BAPTISTE DANGUIN 
1823- 
French painter and line engraver; pupil of Vibert. 


89 LA MAITRESSE DU TITIEN 


Engraving after Titian. Beraldi No. 9. Proof before 
the title, on India paper. With full margin. With a 
portrait of Simonetta Vespucci engraved by Boutelié 
after Pollaiuolo, proof before the title. (2) 


LOUIS ALFRED BRUNET-DEBAINES 
1845-? 
Contemporary French landscape and reproductive etcher. 


90 “‘AT EVENING TIME THERE SHALL BE LIGHT’’ 


Etching after B. W. Leader. Beraldi No. 42. Artists’ / 
proof on Japan paper. Signed by both artists. With 
small margin. 


91 CHILL OCTOBER 


Etching after J. E. Millais. Beraldi No. 35. Signed 
artists’ proof, signed by both painter and etcher, on 
Japan paper. With small margin. Some printers 
folds in upper margin. 


92 THE WEALD OF SURREY 


Etching after the painting by B. W. Leader. Artists’ 
proof on vellum, signed by both painter and etcher; 
with margin. 


ALFRED ALEXANDRE DELAUNEY 
1830-1894 
French etcher and reproductive engraver. 


93 A FONTAINEBLEAU b 
Painter-etching. India paper proof with wide margin. — 


FRUIT AND FLOWER PIECE 


Etching by Delauney after Van Huysum. India paper 
proof. With wide margin. (2) 


19 


BARON DOMINIQUE VIVANT DENON 
1747-1825 
French artist and scholar, friend of Napoleon, who made him Director- 


General of the Museums. He accompanied Napoleon to Egypt, where 
he wielded alternately the pen and the sword with equal dexterity. 


94 PORTRAIT OF VIVANT DENON KY 


Etching from life. Proof before all letters on plate- | 
paper. With margin. 


LOUIS AUGUSTIN BOUCHER DESNOYERS 
1779-1856 
Pupil of Darcis and A. Tardieu. 


95 ELIEZER AND REBECCA 


Engraving after Poussin. Apell No. 1. First state. 
Open letter proof. With wide margin. 


96 LA VISITATION AWA 


Engraving after Raphael. Apell No. 2. Second state, > 
before the date 1824. Open letter proof on plate-paper. 
With margin. Fine. 


97 LA VIERGE AU BERCEAU 


Engraving after Raphael. Apell No. 8. Third state. ) ss 
Proof before the title. Splendid impression on Italian 0 
paper. With full margin. 

From the Alferoff collection. 


98 LA VIERGE AU LINGE 


eg 
Engraving after Raphael. Apell No. 5. Third state. f 
Impression with the inscription on Holland paper. 
With margin. In perfect condition. 


99 LA VIERGE AU POISSON a 


Engraving after Raphael. Apell No. 7. Second state. a 
Before the date 1822. Open letter proof on India 
paper with full margin. Splendid impression. 


100 LA VIERGE DE LA MAISON TEMPI 


Engraving after Raphael. Apell No. 10. First state. | oO 
Proof with two lines of script, on plate-paper. With =, 
full margin. Fine impression in perfect condition. 


20 


101 


~ 102 


103 


104 


105 


106 


LA VIERGE AU DONATAIRE DITE DE FOLIGNO 


Engraving after Raphael. Apell No. 12. Third state. 
Open letter proof with stamp of the two antique heads, 
on French paper. With full margin. Fine impression. 


ANOTHER IMPRESSION OF THE SAME 


Engraving after Raphael. Apell No. 12. Fourth state. 
With the stamp of the two antique heads, French paper. 
With small margin. 


ST. CATHERINE D’ALEXANDRIE 


Engraving after Raphael. Apell No. 15. Second state. 
Open letter proof, on French paper. With full margin. 
Fine impression. 


LES MUSES ET LES PIERIDES 


Engraving after Perino del Vaga. Apell No. 18. Third 
state. Open letter proof with Desnoyers’ small stamp, 
on India paper. With full margin. Fine. Also an 
unfinished trial proof. (2) 


BELISARIUS : 
Engraving after Gérard. Apell No. 25. Fourth state. 
Print on Holland paper with margin. 

Companion to No. 376. 


NYMPHES AU BAIN 
Engraving by C. F. Noel and Massal under the direc- 
tion of Desnoyers after G. Lethiers. Impression with 
the inscription. With wide margin. With an engrav- 
ing ‘‘All Souls Altar Piece’’ by Sherwin after R. 
Mengs. An old impression with the inscription. Small 
margin. (2) 


ya Co DICT. 
French reproductive engraver of the XI Xth Century. 


107 ENTREE D’HENRI IV A PARIS 


Engraving after Gerard. Signed artist’s proof before 
all letters, on India paper. With wide margin. 


THE SAME 

Engraving by Blanchard after Gérard. Letter proof 

on Japan paper with full margin. Published with ay 
2) 


21 


FRITZ DINGER 
1827 
German reproductive engraver, pupil of Keller. 


108 THE LEGEND OF THE CASTLE 


Engraving after Hiddemann. India paper proof, be- 
fore title. With narrow margin. 


GEORGE T. DOO 
1800- 
English reproductive engraver of the early XIXth Century. 


109 HIS ROYAL HIGHNESS PRINCE ALBERT 


Engraving after Partridge. Open letter proof on India 
paper. With margin. 


110 NATURE (THE CALMADY CHILDREN) 


Engraving after Sir Thomas Lawrence. Scratched 
letter proof before title on India paper. With full 
margin. Fine. 


DRAWINGS 


111 THE GUILD HALL LONDON 


One exterior and two interiors. Fine water-color draw- 
ings, probably by Frederick Nash. (38) 


LOUIS PIERRE HENRIQUEL-DUPONT 
1797-1892 
French line engraver, pupil of Guerin and Bervic. ‘‘A noteworthy 


attempt to save the art of line-engraving from a deadening system was 
made by Henriquel-Dupont.’’—A. M. Hind. 


112 THE EARL OF STRAFFORD ON HIS WAY TO 
HIS EXECUTION 
Line-engraving after Paul Delaroche. Apell No. 9. 
Second state. India paper proof before title. With 
full margin. 


22 


\& 


S. ARLENT EDWARDS 
1861-— 


American mezzotint engraver and color printer. One of the ablest 
and best known of the modern engravers in color. 


It will save needless repetition to call attention here to the 
quality of Mr. Halsey’s collection of S. Arlent Edwards’s color 
prints. Mr. Halsey was a personal friend of Mr. Edwards 
and was given his choice of impressions after they had been 
selected by the artist himself. They were delivered directly 
to Mr. Halsey in the original and immaculate condition in 
which they are now offered, all with full margins. It is 
unlikely that such a collection of these prints will again be 
offered for sale. 


113 PORTRAIT OF THE ENGRAVER 


Mezzotint printed in colors after Naegele. Signed 
artist’s proof. 


114 LADY HALLET 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler No. 1. Signed artist’s proof. 


115 LADY SHEFFIELD 


Mezzotint printed in colors after Thomas Gainsborough. | 
Butler No. 2. Signed artist’s proof. | 


116 INNOCENCE 


Mezzotint printed in colors after J. B. Greuze. Butler 
No. 3. Signed artist’s proof. 


117 MRS. WELLS 


Mezzotint printed in colors after George Romney. 
Butler No. 6. Signed artist’s proof. 


118 THE BLUE BOY 


Mezzotint printed in colors after Thomas Gainsborough. — 
Butler No. 7. Signed artist’s proof. 


119 MARIE LOUISE 


Mezzotint printed in colors after Mare Nattier. Butler 
No. 8. Signed artist’s proof. Inscribed to Mr. Halsey. 


23 


120 


121 


122 


123 


124 


125 


126 


127 


128 


MRS. BENWELL 


Mezzotint printed in colors after John Hoppner. Butler 
No. 14. Signed artist’s proof. Limited to 175 proofs. 


MISS FARREN 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Butler No. 16. Signed artist’s proof. 


PERDITA (MRS. ROBINSON) 


Mezzotint printed in colors after George Romney. 
Butler No. 18. Signed artist’s proof. 


VICTORIE THERESE DE FRANCE 


Mezzotint printed in colors after Mare Nattier. Butler 
No. 19. Signed artist’s proof. 


SOPHIE ELIZABETH DE FRANCE 


Mezzotint printed in colors after Mare Nattier. Butler 
No. 20. Signed artist’s proof. 


LUCREZIA TORNABUONI 


Mezzotint printed in colors after Ghirlandaio. Butler 
No. 21. Signed artist’s proof. Limited to 175 proofs. 


MADONNA 


Mezzotint printed in colors after Fra Fillippo Lippi. 
Butler No. 22. Signed artist’s proof. Limited to 175 
proofs. 


BEATRICE D’ESTE 


Mezzotint printed in colors after the painting of the 
school of Leonardo da Vinci. Butler No. 23. Signed 
artist’s proof. Limited to 175 proofs. 


LADY HAMILTON 


Mezzotint printed in colors after George Romney. 
Butler No. 24. Signed artist’s proof. Limited to 150 
proofs. 


24 


a es ee ee < 


129 


130 


131 


132 


133 


134 


135 


136 


- 187 


138 


MRS. DRUMMOND-SMITH (PATIENCE) 


Mezzotint printed in colors after George Romney. 
Butler No. 25. Signed artist’s proof. 


THE MUSIC LESSON 


Mezzotint printed in colors after Nicolas Lancret. 
Butler No. 26. Signed artist’s proof. 


THE GARDEN PARTY 


Mezzotint printed in colors after Nicolas Lancret. 
Butler No. 27. Signed artist’s proof. 


NATURE (THE CALMADY CHILDREN) 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Butler No. 28. Signed artist’s proof. Limited to 175 
proofs. 


MRS. SARAH SIDDONS 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler No. 29. Signed artist’s proof. Limited to 150 
proofs. 


THE PINK BOY. 


Mezzotint printed in colors after Thomas Gainsborough. ~ 
Butler No. 30. Signed artist’s proof. 


SYMPATHY 


Mezzotint printed in colors after J. B. Greuze. Butler 7 
No. 31. Early trial proof. Signed. 


DUCHESS OF RUTLAND 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 32. Signed artist’s proof. Limited to 175 
proofs. 


MRS. MUSTERS 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 33. Signed artist’s proof. 


LADY ELIZABETH COMPTON 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 34. Signed artist’s proof. | 


25 


139 


140 


141 


142 


143 


144. 


145 


146 


147 


BOSOM FRIENDS (MISS BOWLES) 
Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 35. Early trial proof with only the girl 
and the dog completely inked in. Signed. Slight tear 
in extreme lower right corner. 

MONA LISA 
Mezzotint printed in colors after Leonardo da Vinci. 
Butler No. 36. Signed artist’s proof. Limited to 175 
proofs. 

LA BELLE FERRONNIERE 


Mezzotint printed in colors aftter Leonardo da Vinci.’’ 
Butler No. 37. Signed artist’s proof. Limited to 225 
proofs. 


BAPTISTA TORNABUONI 


Mezzotint printed in colors after Ghirlandaio. Butler 
No. 38. Signed artist’s proof. Limited to 225 proofs. 


MRS. DAVENPORT | 


Mezzotint printed in eolors after George Romney. 
Butler No. 39. Signed artist’s proof. Limited to 175 
proofs. 


MASTER LAMBTON 


Mezzotint printed in colors after Sir-Thomas Lawrence. 
Butler No. 40. Signed artist’s proof. 


ANOTHER IMPRESSION OF THE SAME 
Signed artist’s proof. 


LADY MEARS 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 41. Signed artist’s proof. 


LADY NORTON 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 42. Signed artist’s proof. 


26 


148 


149 


150 


151 


152 


153 


154 


155 


156 


157 


SASKIA VAN ULENBURGH 


Mezzotint printed in colors after Rembrandt. Butler 
No. 43. Signed artist’s proof. Limited to 225 proofs. 


ISAAC WALTON 


Mezzotint printed in colors after Innskip. Butler 
No. 44. Signed artist’s proof. Limited to 150 proofs. 


ANOTHER IMPRESSION OF THE SAME 
Signed artist’s proof. 


REMBRANDT’S MOTHER 


Mezzotint printed in colors after Rembrandt. Butler 
No. 45. Signed artist’s proof. 


COUNTESS OF MEXBOROUGH 


Mezzotint printed in colors after John MHoppner. 
Butler No. 46. Early trial proof. Signed. One of 
two proofs in this state. 


ANOTHER IMPRESSION OF THE SAME 
Signed artist’s proof. 


MIRANDA 


Mezzotint printed in colors after John MHoppner. 
Butler No. 47. Signed artist’s proof. 


AUGUSTA SOPHIA (DAUGHTER OF GEORGE IIT) 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler No. 48. Signed artist’s proof. Limited to 150 
impressions. 


COUNTESS GROSVENOR 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Butler No. 49. Signed artist’s proof. Limited to 200 
proofs. 


GYPSY’S WARNING 


Mezzotint printed in colors after Revd M. W. Peters. 
Butler No. 50. Signed artist’s proof. 


27 


158 


159 


160 


161 


162 


163 


164 


165 


166 


167 


DUCHESS OF DEVONSHIRE AND CHILD 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 51. Signed artist’s proof. Limited to 200 
proofs. 


THE FORTUNE TELLER 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Butler No. 52. First state before the face of the girl 
was changed and a heavy mezzotint border added; 10 
proofs only. Signed artist’s proof. 


THE FRANKLAND SISTERS 


Mezzotint printed in colors after John MHoppner. 
Butler No. 53. Signed remarque proof. 


MADONNA 


Mezzotint printed in colors after Pietro Perugino. 
Butler No. 55. Signed artist’s proof. 


DUKE AND DUCHESS OF CUMBERLAND 


Mezzotint printed in colors after Thomas Gainsborough. - 
Butler No. 56. Signed artist’s proof. 


ANOTHER IMPRESSION OF THE SAME 


Early trial proof from the copper, drawn upon by the 
artist. Signed. 


A VISIT TO THE BOARDING SCHOOL 


Mezzotint printed in colors after George Morland. 
Butler No. 57. Signed artist’s proof. 


ANNE OF CLEVES 


Mezzotint printed in colors after Holbein. Butler 
No. 58. Signed artist’s proof. 


ELVIRA 


Mezzotint printed in colors after Piero della Francesca. 
Butler No. 59. Signed artist’s proof. Limited to 225 
proofs. 


GOOD NIGHT 


Mezzotint printed in colors after Mosler. Butler No. 60. 
Signed artist’s proof. Limited to 200 proofs. 


28 


SECOND SESSION 


Tuesday Evening, February 27, 1917, at 8:15 o’clock 


168 


169 


170 


171. 


172 


173 


174 


LOTS 168-392 


S. ARLENT EDWARDS 
Concluded. 
MISS MACDONALD 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Butler No. 61. Signed artist’s proof. Limited to 150 
proofs. 


LADY MULGRAVE 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler No. 62. Signed artist’s proof. 


MADONNA 


Mezzotint after Bernardino Luini. Butler No. 63. 
Early trial proof in black. 


ANOTHER IMPRESSION OF THE SAME. Signed 
artist’s proof. 


LADY HAMILTON AS NATURE 


Mezzotint printed in colors after George Romney. 
Butler No. 64. Signed artist’s proof. Limited to 225 
proofs. 


WILLIAM OF ORANGE 


Mezzotint printed in colors after A. Van Dyck. Butler 
No. 65. Signed artist’s proof. Limited to 225 proofs. 


THE LUTE PLAYER 


Mezzotint printed in colors after F. Hals. Butler 
No. 66. Signed artist’s proof. 


29 


175 


176 


177 


178 


Lae, 


180 


181 


182 


183 


184 


SIMONETTA VESPUCCI 


Mezzotint printed in colors after Antonio Pollaiuolo. 
Butler No. 67. Signed artist’s proof. 


THE YOUNG PRINCESS 


Mezzotint printed in colors after C. Netscher. Butler 
No. 68. Signed artist’s proof. Limited to 225 proofs. 


FRANCIS II 


Mezzotint printed in colors after Clouet. Butler No. 69. 
Signed artist’s proof. Limited to 225 proofs. 


A LADY OF BRUGES 


Mezzotint printed in colors after Van Eyck. Butler 
No. 70. Signed artist’s proof. Limited to 225 proofs. 


PRINCESS BEAUJOLAIS 


Mezzotint printed in colors after Jean Mare Nattier. 
Butler No. 71. Signed artist’s proof. Inscribed to 
Mr. Halsey. Limited to 175 proofs. 


A GENTLEMAN OF BRUGES (Martin van Nieu- 
wenhove) 


Mezzotint printed in colors after Hans Memling. Butler 
No. 72. Signed artist’s proof. Limited to 225 proofs. 


ANOTHER IMPRESSION OF THE SAME 


A second impression taken from plate without re- 
inking. 


LUCREZIA TORNABUONI 


Mezzotint printed in colors after Botticelli. Butler 
No. 73. Signed artist’s proof. Limited to 225 proofs. 


LOUISE DE BOURBON, DUCHESS DU MAINE 


Mezzotint printed in colors after P. Mignard. Butler 
No. 74. Signed artist’s proof. 


THE PARSON’S DAUGHTER 
Mezzotint printed in colors after George Romney. 
Butler No. 75. Signed artist’s proof. 
30 


ee ee 


185 
186 


187 
J 188 
189 
190 
191 


192 


oy 193 


SISTER CATHERINE 


Mezzotint printed in colors after Rogier Van der Wey- 
den. Butler No. 76. Signed artist’s proof. 


LADY DUDGEON 


Mezzotint printed in colors after Sir Henry Raeburn. 
Butler No. 77. Signed artist’s proof. 


BIANCA MARIA SFORZA 


Mezzotint printed in colors after Ambrogia de Predis. 
Butler No. 78. Signed artist’s proof. Limited to 225 
proofs. 


ETHEL BARRYMORE 


Mezzotint printed in colors after his own design. 
Butler Additions E. Signed artist’s proof. EIS to 
25 proofs only. Private plate. 


SOPHIE ARNOULD 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler Additions H. Limited to 100 proofs. Private 
plate. 


LADY SPENCER 


Mezzotint printed in colors after Thomas Gainsborough. 
Butler Additions I. Signed artist’s proof. Limited to 
50 proofs only. Private plate. 


MADAME LEBRUN AND CHILD. 


Mezzotint printed in colors after Mme. Vigée Lebrun. 
Butler Additions J. Signed artist’s proof. One of 
twenty-two proofs. 


HON. JOHN LAWRENCE 


Mezzotint printed in colors after John Trumbull. Butler 
Additions K. Limited to 20 proofs only. Private plate. 


JOSEPH JEFFERSON 


Mezzotint printed in colors. Butler Additions L. 
Signed artist’s proof. Limited to 22 proofs only. 
Private plate. 


31 


194. 


195 


196 


197 


198 


199 


200 


ALEXANDER HAMILTON 


Mezzotint printed in colors. Butler Additions R. 
Signed artist’s proof. Limited to 50 ‘proofs only. 
Private plate. 


GENERAL NATHANAEL GREENE 


Mezzotint printed in colors after C. W. Peale. Butler 
Additions U. Signed artist’s proof with open letter. 
Limited to 50 proofs only. Private plate. 


THE COURSE OF TRUE LOVE 


Mezzotint after the painting by F. C. Jones. With the 
inscription on India paper. With margin. 


JOHN LEECH | 


Mezzotint. Signed remarque proof. No. 4 of 25 proofs 
printed. 


GEORGE WASHINGTON 


Mezzotint printed in eolors after Guilbert Stuart. 
Signed artist’s proof. Limited to 162 proofs. 


IMPRESSIONS FROM DESTROYED PLATES 


‘‘Love me love my dog,’’ Saskia Ulenburgh, Master 
Lambton, Mrs. Davenport, The Garden Party, The 
Music Lesson, Lady Mears, Lady Hamilton, La Belle 
Ferronniére, Mrs. Drummond Smith as Patience, and 
Mrs. Siddons. (12) 


ENGRAVER NOT ASCERTAINED 


LADY BURDETT COUTTS 


Mezzotint. Proof before all letters on plate-paper. 
With full margin. 


201 BEATRICE CENCI 


Two engravings after Guido Reni, both India proofs 
before all letters. (2) © 


32 


1 


202 


203 


204. 


205 


206 


207 


208 


FIVE DANCING FIGURES 


Engraving from the antique. Proof before all letters. 
Trimmed to plate mark. Small mended tear at the 
left. Beautiful impression. 


HOGARTH AT CALAIS 


Engraving. Proof before all letters on India paper. 
India paper somewhat wrinkled and torn in lower left 
corner. 


ETCHINGS 


A GROUP OF SEVENTEEN ETCHINGS 


By Eugene Millet, Monziés and others. All Japan 
paper proofs with full margins. (17) 


LUIGI FABRI 


1778-1835 
Italian line engraver, pupil of Cunego. 


BACCHUS AND SILENUS 
Engraving after N. Poussin. Apell No. 15. Proof 


before the title, on plate-paper. The margin cut to 
plate-mark. 


GEORG JACOB FELSING 
1802-1883 
German line engraver, pupil of Longhi. 


THE HOLY FAMILY 


Engraving after F. Overbeck. Apell No. 4. Second 
state with the artists’ names in scratched letters. Im- 
pression on Dutch paper. With full margin. 


ST. CECILIA 


Engraving after Hofmann. Apell 15. Two states, one 
an unfinished trial proof on plate-paper. With full 
margin. The other a signed artist’s proof before all 
letters on India paper. With full margin. Fine im- 
pressions. (2) 


DIE LORELEI 


Engraving after C. Sohn. Proof before title, on India 
paper. With full margin. With two other engravings. 
(3) 

33 


HEDLEY FITTON 
1859- 


Contemporary English etcher whose architectural plates show great 
decorative power. His works have increased rapidly in value. 


209 PONT ST. ETIENNE, LIMOGES. 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 


ea ee a eT 


210 VIA DEI GIROLAMI, FLORENCE 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 


211 TOUR DE L’HORLOGEH, TOURS 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 300 impressions only. 


212 CHURCH OF THE THREE KINGS, ST. EMILION, 
GUYENNE 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin, 250 printed. 


2138 §S. ZACCARIA, VENICE 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 150 printed. 


214 ST. MERRI, PARIS 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 150 printed. 


215 ST. MACLON, ROUEN 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 200 printed. 


216 ST. ETIENNE, BEAUVAIS 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 250 printed. 


217 SAINT ANDREW’S CASTLE 
Painter-etching. Signed artist’s proof on soft Japan 
paper. With full margin. 150 printed. 


34 


218 


219 


220 


221 


222 


223 


224 


225 


226 


RUE STE. ROMAINE, ROUEN 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 100 printed. 


RUE DE L’HOTEL DE VILLE, PARIS 


Painter-etching. Signed artist’s proof on etching 
paper. With margin. 100 printed. 


RUE STE. ROMAINE NO. 2, ROUEN 


Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 


ROSLYN CHAPEL 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 300 printed. 


PULTENEY BRIDGE, BATH 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 100 printed. 


BORGO SAN JACOPO 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 100 printed. 


RUE BARBETTE 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 150 printed. 


““Dans ce passage en sortant de 1’Hotel Barbette le Due 
Louis d’Orleans, frére de Roi Charles VI fut assassiné par Jean 
Sans Peur, Duc de Bourgogne, dans la nuit du 23 au 24 Novem- 
bre 1407.’ 


SHRINE OF EDWARD THE CONFESSOR, WEST- 
MINSTER ABBEY 

Painter-etching. Signed artist’s proof on etching 

paper. With full margin. One of the artist’s master- 

pieces. 200 printed. 


ROSE WINDOW, NOTRE DAME, PARIS 
Painter-etching. Signed artist’s proof on etching 
paper. With full margin. 250 printed. One of the 
artist’s masterpieces. 

35 


227 THE AISLES OF CHARTRES 


Painter-etching. Signed artist’s proof on Head paper. 
With full margin. . 


228 ST. ETIENNE DU MONT, PARIS 


Painter-etching. Signed artist’s proof on Head paper. 
With full margin. 


LEOPOLD FLAMENG 
1831- . 


French reproductive etcher and engraver; pupil of Calamatta. One of 
the most accomplished etchers of modern times. 


229 PORTRAIT OF WILLIAM SHAKESPEARE ~ 


Etching after the Chandos portrait. Signed artist’s 
proof on plate-paper. With full margin. 


230 THE NIGHT WATCH 
Etching after the painting by Rembrandt in the 
Gallery at Amsterdam. Fine early trial proof before 
the first finished state, where the soldier in background 
holding a spear horizontally has six fingers on the left 
hand. Signed impression on Japan paper. With 
margin. Probably unique. 


GIOVANNI FOLO. 
1764-1836 


Italian mezzotint and stipple engraver. Pupil of Volpato and 
Raphael Morghen. . 


231 CUPID TESTING HIS ARROWS 


Engraving after St. Tofanelli. Apell No. 24. Proof 
before all letters. With two other engravings, ‘‘ Venus 
and Adonis’’ by Folo after Albano, and ‘‘Cupid sleep- 
ing under a Tent’’ by Gandolfi after his own design. 


(3) 
232 IRIS. ECHO 


Engravings after Head. Prints on India paper. With 
full margins. (2) 


36 


FRANCOIS FORSTER 
1790-1872 
French-Swiss line engraver, pupil of Langlois. 


233 ST. CECILIA 
Engraving after Paul Delaroche. Apell No. 8. India 


paper proof before the title. With full margin. 
Splendid impression in perfect condition, 


234 L’AURORE ET CEPHALE 
Engraving after Guerin. Apell No. 9. First state. 
Proof before title on plate paper, trimmed slightly 
within the plate-mark. Fine impression. 
From a collection not mentioned by Fagan. 


JOHN FULLWOOD 
1854- 


Contemporary English etcher. Member of the Royal Society of 
British Artists. 


235 THE THAMES NEAR WINDSOR 


Painter-etching. Signed artist’s proof on Japan paper. 
With margin. 


CLAUDE FERDINAND GAILLARD 
1834-1887 


A French engraver and painter whose style was a marvel of accurate 
minuteness. 


236 CDIPUS 
Engraving after the painting by Ingres. Beraldi No. 24. 
Fourth state before all letters. Stamped artist’s proof 
on India paper. With full margin. Fine impression. 
One of the artist’s masterpieces. 


237 DOM PROSPER GUERANGER 


Engraving. Beraldi No. 38. Two states. One an early 
trial proof of the second state before the cross was 
added; proof drawn upon by the artist and signed in 
pencil. The other an impression from the completed 
plate; India paper proof, published in the Gazette des 
Beaux-Arts of 1878. (2) 


37 


238 MGR. PIE, EVEQUE DE POITIERS 
Engraving. Beraldi No. 40. Sixth state; proof before 
all letters. Impression on India paper. With full 
margin. Fine. 


239 LE PERE HUBIN 
Engraving. Beraldi No. 42. Two states, one an early 
trial proof of the third state, on India paper. With 
margin. The other the completed plate, lettered im- 
pression on Dutch paper. With margin. (2) 


MAURO GANDOLFI 


1774-1834 
Italian line-engraver, pupil of Giuseppe Longhi. 


240 EDUCAZIONE DI AMORE 
Engraving after P. Palagi. Apell No. 14. Second 
state. Beautiful proof before all letters. In perfect 
condition. With full margin. 


FRANCOIS GARNIER 
French line engraver, pupil of Bervie. 
241 MOSES 
Engraving after N. Poussin. Not mentioned by Apell. 
Open letter proof on India paper with small margin. 
Fine impression. <A few slightly rubbed spots and 
printer’s folds. 


H. GARNIER 
French mezzotint engraver of the XIXth Century. 


242 FLEURETTE 
Mezzotint after André. Open letter proof on plate- 
paper. With margin. 


243 MME. PRADHER (Artiste de 1’Opéra Comique) 
Mezzotint after Court. Proof before title on Dutch 
paper. Trimmed to plate-mark on both sides. 


88 


EUGENE GAUJEAN 
1850- 
French reproductive etcher, pupil of Pils and Waltner. 


244 NATURE (The Calmady Children) 


Etching after Sir Thomas Lawrence. Signed remarque 
proof on vellum. With full margin. 


ANTOINE FRANCOIS GELEE 
1796-1860 


French line engraver, pupil of Giraudet and Pauquet. 


245 DAPHNIS AND CHLOE 


Engraving after Hersent. Apell No. 4. Proof before 
the title, on India paper. With margin. Fine impres- 
sion. 


W. O. GELLER 


American reproductive engraver of the late XIXth Century. 


246 FRANKLIN AT THE COURT OF FRANCE 


Mezzotint after Baron Jolly. Signed Artist’s proof 
on India paper. With margin. 


EDOUARD GIRARDET 
1819g—after 1866 


French reproductive engraver, pupil of his brother Karl. 


247 FETE EGYPTIENNE 


Mixed mezzotint after Edwin Long. Artists’ proof on 
India paper, signed by both artists. With full margin. 


39 


G. W. GODWARD 


Contemporary English historical and genre painter. 


248 THE BATH OF VENUS. 


Photogravure. Print on India paper, colored with the 
brush. With full margin. ~ 


249 A FAIR REFLECTION 


Photogravure. Print on India paper, colored with the 
brush. With full margin. 


250 VENUS BINDING HER HAIR 


Photogravure. Print on India paper, cos with the 
brush. With full margin. 


EDWARD GOODALL 
1795-1870 
English reproductive engraver of the middle of the XIXth Century. 
He was self taught, and early attracted the attention of the painter 


Turner, who gave him a commission to engrave from his pictures as 
many plates as he would undertake. 


251 THE SCHOOL OF SOOLTAN HASSAN. FELICE 
BALLARIN RECITING TASSO TO THE PEOPLE 
OF CHIOGGIA 


Engravings after F. Goodall. India paper proof with 
margin. With one other engraving. (3) 


ROBERT GRAVES 
1798-1873 
English line engraver, pupil of John Romney. Associate Engraver of 


the Royal Academy. 
252 THE BLUE BOY 


Engraving after Thomas Gainsborough. Open letter 
proof. With small margin. 


40 


W. GREATBACH 
English reproductive engraver of the middle of the XIXth Century. 


253 THE BREAKFAST TABLE 


Engraving after Webster. India paper proof with full 
margin. Published in ‘‘The Art Journal’’ 1866. With 
four other miscellaneous engravings. (5) 


204 LIFE OF BUCKINGHAM, THE DEATH OF 
BUCKINGHAM. 


Engravings after Egg. India paper proofs before 
letters. With one other engraving. (3) 


H. T. GREENHEAD 


Contemporary English mezzotint engraver and color printer. 


255 BARBARA 


Mezzotint printed in colors after the painting by George 
Morland. Signed artist’s proof on India paper. With 
full margin. 


206 LADY CAMDEN 


Mezzotint after Sir Joshua Reynolds. Signed artist’s 
proof on India paper. With margin. 


257 DORIS 


Mezzotint printed in colors after the painting by George 
Morland. Signed artist’s proof on India paper. With 
full margin. 


258 LADY HAMILTON 


Mezzotint after Sir Joshua Reynolds. Signed artist’s 
proof on India paper. With full margin. 


259 LADY HAMILTON AS A BACCHANTE 


Mezzotint after J. B. Greuze. Signed artist’s proof on 
India paper. With full margin. 


260 LADY HARRINGTON 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof on India paper. With full margin. 


261 JANET 


Mezzotint printed in colors after George Morland. 
Signed artist’s proof on India paper. With full margin. 


41 


262 


263 


264. 


265 


266 


267 


268 


269 


270 


271 


MADGE 
Mezzotint printed in eolors after 


Signed artist’s proof on India paper. 


MARGARET 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


MARGOT 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


MARY 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


MILLY 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


PEGGY 
Mezzotint printed in colors after 


Signed artist’s proof on India paper. 


SALLY 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


SUSIE 
Mezzotint printed in colors after 


Signed artist’s proof on India paper. 


ZILLAH 
Mezzotint printed in colors after 
Signed artist’s proof on India paper. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


George Morland. | 
With full margin. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


George Morland. 
With full margin. 


CHRISTOPHE GUERIN 


1758-1830 


German line engraver, pupil of Jollain and Miller. 


L’AMOUR DESARME 


Engraving after Correggio. Apell No. 3. First state; 


proof before title. 
Cut to the plate-mark. 


42 


Beautiful proof on Dutch paper. 


SHERE MILL POND 


BY HADEN 
[NUMBER 276] 


EK. GULLAND 


Contemporary English mezzotint engraver and color printer. 


272 THE AGE OF INNOCENCE 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof on India paper. With full margin. 


273 VISCOUNTESS ALTHORP 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof on India paper. With full margin. 


274 MRS. ROBINSON 


Mezzotint printed in colors after George Romney. 
Signed artist’s proof on India paper. With full margin. 


275 MISS DE VISMES 


Mezzotint printed in colors after Sir Henry Raeburn. 
Signed artist’s proof on India paper. With full margin. 
One of the artist’s masterpieces. 


SIR FRANCIS SEYMOUR HADEN 
1818-1910 


Celebrated English surgeon and etcher. Founder and president of the 
Royal Society of Painter-Etchers, London. ‘‘An artist of rare endow- 
ment and consummate practical skill.’’ 


276 SHERE MILL POND 


Painter-etching. Harrington No. 38. First state be- 
fore the lines in the sky were removed. Splendid clear 
impression, on old Dutch paper, signed by the artist. 
With margin. Very rare. 

‘¢ With the single exception of one plate, by Claude, this is 
the finest etching of a landscape subject that has ever been 
executed in the world.’’—P. G. Hamerton, ‘‘Htching and 
Etchers.’’ 

(See Illustration. ) 


277 WHISTLER’S HOUSE, OLD CHELSEA 


Painter-etching. Harrington No. 54. Second state. 
Signed artist’s proof on Dutch paper. 


43 


278 THE TOWING PATH 


Painter-etching. Harrington No. 76. Second state 
with the words ‘‘ The Towing Path’’ and with the figure 
of the lady. Signed artist’s proof on old verger paper. 
With margin. 


279 WINDSOR 


Painter-etching. Harrington No. 199. First state with 
the bough of the tree still crossing the sail of the boat. 
Twenty-five impressions only. Signed artist’s proof 
on Dutch paper, printed in bistre. 


280 AN EARLY RISER 


Painter-mezzotint. Harrington No. 240. Second state. 
Splendid impression. Signed artist’s proof on Dutch 
paper. With full margin. VERY RARE. 


AXEL HERMAN HAIG 
Born 1835- 


Celebrated Swedish etcher working in London. Famous for his etchings 
of architectural subjects. He was the teacher of Anders Zorn. 


281 MONT ST. MICHEL 


Painter-etching. Armstrong No. 27. Signed artist’s 
proof on Whatman paper. With margin. Limited to 
500 proofs. Framed. 


‘¢This is one of the most important in point of size of Mr. 
Haig’s etchings, and of the very large ones dealing with 
out-of-door subjects is perhaps the most admired.’’—E. 
Armstrong. 


Companion to No. 283. 


282 UNDER THE GREAT NORTH PORCH, CHARTRES 
CATHEDRAL 
Painter-etching. Armstrong No. 28. Signed artist’s 
proof on Whatman paper. With full margin. Limited 
to 250 proofs. 


283 LIMBURG ON THE LAHN 


Painter-etching. Armstrong No. 50. Signed artist’s 
proof on Creswick paper with margin. Framed. 
Companion to No. 281. 


44 


WILL HENDERSON 


Contemporary English mezoztint engraver of the school of 
Samuel Cousins, 


284 FANNY CERRITO 


Mezzotint after the painting by F. Simoneau. Print 
on plate-paper. With margin. 


285 MRS. LISTER 


Mezzotint printed in colors after G. S. Newton. Signed 
artist’s proof on India paper. With margin. Limited 
to 250 proofs. 


286 COUNTESS OF OXFORD 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With margin. 


287 MRS. ANN PITT 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


288 THE COUNTESS POULETT 
Mezzotint after George Romney. Signed artist’s proof 
on Japan paper. With full margin. Limited to 350 
proofs. 


289 DUCHESS OF SUTHERLAND 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


HENRIOT. 


290 TITLE PAGE 


Original drawing designed as a title page to ‘‘the 
Booklover’s Almanac’’ for 1898. Signed and dated 
‘‘Henriot Paris Juillet 1892.’’ In passepartout frame. 


E. M. HESTER. 


Contemporary mezzotint engraver and color printer. 


291 COUNTESS EUSTON 


Mezzotint printed in colors after the painting by John 
Hoppner. Signed artist’s proof on India paper. With 
full margin. Limited to 225 proofs. 


45 


292 MADAME HENRIETTE DE FRANCE 


Mezzotint printed in colors after J. Mare Nattier. 
Signed artist’s proof on India paper. With full 
margin. Number 6 of 250 printed. 


293 MADAME DE POMPADOUR 


Mezzotint printed in colors after J. Mare Nattier. 
Signed artist’s proof on India paper. With full 
margin. Number 11 of 250 printed. 


NORMAN HIRST. 
1862- 

Contemporary English mezzotint engraver of the school of Samuel 
Cousins. His works are among the finest of modern mezzotint engray- 
ings. ; 

294 MRS. IRVINE BOSWELL 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. Fine. : 


295 THE CAPTURE (where land and water kiss) 


Mezzotint after Draper. Print on India paper. With 
full margin. 


296 MISS COUSSMAKER 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. 


297 LADY MAITLAND 


Mezzotint after Sir Henry Raeburn. Signed artist’s 
proof on India paper. With full margin. Fine. 


298 LADY MONSON 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. Fine. 


299 THE SISTERS 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With margin. 


300 MISS WEST 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With full margin. Fine. 


46 


THOMAS HODGETTS 
English mezzotint engraver who flourished 1801-46. 


301 COUNTESS OF MORNINGTON 


Mezzotint after Lady Burghersh. Lettered proof on 
plate-paper, trimmed to the plate-mark. Fine impres- 
sion. 


S. HOLLYER 
American reproductive engraver of the late XIXth Century. 


302 PORTRAIT OF VICTOR HUGO 


Etching. Lettered proof on plate-paper, signed in 
pencil by the etcher. With full margin. 


303 THE BOOKWORM 


Engraving after Spitzweg. Signed artist’s proof on 
India paper. With full margin. A very interesting 
little plate. 


E. F. HUBBARD 


Contemporary English mezzotint engraver and color printer. 


304 NELL GWYNNE 


Mezzotint printed in colors after Sir Peter Lely. 
Signed artist’s proof on India paper. With full 
margin, Number 8 of 300 printed. 


L. F. HURD 


Contemporary water-color painter. 


305 THE OCEAN SHORE 


Water-color drawing by L. F. Hurd. Signed in lower 
left corner. Framed. 


47 


JEAN AUGUSTE DOMINIQUE INGRES 
1780-1867 


Celebrated French painter, pupil of David. An artist with a strong 
influence upon his own time and upon succeeding generations. 


306 PORTRAITS OF LUIGI CALAMATTA, MARTIN 
AND INGRES 


Engravings by Luigi Calamatta. Fine impressions 
with the inscriptions. (3) 


307 ODALISQUE. CHERUBINI 


Lithographs by P. Sudre. Impressions with the in- 
scriptions, on India paper. The Odalisque has been 
colored by hand. 


308 N. M. GATTEAUX. COUNT DE NIEUWERKERKE 


Engravings after drawings of Ingres by M. F. Dien. 
Fine impressions in perfect condition, one of them 
proof before the title. 


309 M. LEBLANC. M. DUMONT. LECLERE ET PREVOT 


Engravings after drawings of Ingres by Fournier, 
Leroux, and Gérard. Fine impressions in perfect con- 
dition, one of them proof before all letters. 


RICHARDSON JACKSON 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


310 LADY GERTRUDE FITZPATRICK 


Mezzotint after Sir Joshua Reynolds. Open letter 
proof on plate paper. With large margin. 


48 


CHARLES JACQUE 
1813-1894 
Famous French painter and etcher. A pioneer in the great nineteenth 
century revival of painter-etching and a close associate of the Barbizon 
school. 


311 PAYSAGE. TROUPEAU DE PORCS 


Painter-etching. Guiffrey No. 85. Third state. Good 
impression on India paper. With full margin. 


““Cette piéce, trés connue sous le nom de ‘La Truffiére,’ est 
considerée comme le chef-d’oeuvre de Jacque.’’—Gustave 
Bourcard. 


312 LA BERGERIE 


Painter-etching. Guiffrey No. 161. Signed artist’s 
proof on India paper. With full margin. Limited to 
129 impressions. A tear across the lower right corner 
of the margin. 

The artist’s masterpiece. 


GEORG JAHN 


1859- 


Contemporary German etcher and engraver. Studied at the Dresden 
Academy and is member of the Dresden Kunst Gennossenschaft. His 
graphic works are in all the print rooms of Europe. 


313 REMORSE 
Painter-etching. Proof on Japan paper. With margin. 


GIRL BY RIVER-BANK 


Process plate by Max Pritschmann. India paper proof. 
With full margin. (2) 


CLIFFORD R. JAMES 


Contemporary English mezzotint engraver and color printer. 


314 LADY DUNCOMBE 


Mezzotint printed in color after John Hoppner. Signed 
artist’s proof on India paper. With full margin. 


315 PRINCESS METTERNICH 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof on India paper. With full margin. 


49 


316 THE IRISH GRACES (The Montgomery Sisters) 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof on India paper. With full margin. 


317 LADY WILLOUGHBY DE ERESBY 
Mezzotint printed in colors after John MHoppner. 
Signed artist’s proof on India paper. With full margin. 


GEORGE P. JAMES 


Contemporary English mezzotint engraver and color printer. 


318 LADY BEAUMONT 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof on India paper. With full margin. 
Fine. 


SAMUELE JESI 
1789-1853 
Italian line-engraver, pupil of Giuseppe Longhi. 
319 POPE LEO X. 


Engraving after Raphael. Apell No. 11. First state. 
Fine proof before all letters and showing the graver 
trials, on India paper. With full margin. With a few 
slight creases. 


JOUANIN 


’ French mezzotint engraver of the early XIXth Century. He had 
the rank of ‘‘Engraver to the Empress.’’ 


320 EMPRESS OF FRANCE 


Mezzotint after F. Winterhalter. Print on etching 
paper. With full margin. 


FERDINAND JOUBERT 
1810-1887 
French line engraver, pupil of Henriquel-Dupont. 


321 INNOCENCE 


Engraving after J. B. Greuze. Signed artist’s proof 
on India paper. With full margin. 


50 


NOEL B. KENNELEY 
Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 
322 MRS. SIDDONS 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With full margin. 


JAMES S. KING 


Contemporary American mezzotint engraver and color printer. 


323 THE STRAWBERRY GIRL 
Mezzotint printed in color after the painting by Sir 
Joshua Reynolds. Signed artist’s proof on plate-paper. 
With full margin. Limited to 225 proofs. 


LUDWIG KNAUS 


Most celebrated German genre painter of the second part of the 
XIXth Century. 


324 THE MOUNTEBANK 
Engraving by Gérard after the painting by Ludwig 
Knaus. Signed artist’s proof on India paper. Framed. 


325 DIE SCHUSTERJUNGEN (The Shoemaker’s Appren- 
tices) 
Engraving by Raab after Knaus. Proof before all 
letters, on India paper, with full margin. 


DIE SPIELER (The Cardplayers) 
Engraving by Vogel. Proof before the title, on India 
paper, with full margin. (2) 


KARL KOEPPING 


Contemporary reproductive etcher; pupil of Waltner. 


326 RENIER ANSLOO 
Etching after Rembrandt. Splendid i impression. Signed 
artist’s proof on Japan paper, with full margins. 


51 


MAXINE LALANNE 
1827-1886 


French painter-etcher, pupil of Gigoux. He was one of the promoters 
of the Société des Aqua-Fortistes, and was the first artist to be knighted 
solely on account of his etchings. 


327 LA CHAMBRE DE VICTOR HUGO 


Painter-etching. Beraldi No. 21. From the set of etch- 
ings entitled ‘‘Chez Victor Hugo.’’ Proof before the 
title on Japan paper. With margin. With Roche- 
brunne’s Porte d’Atelier on India paper. (2) 


ADOLPHE LALAUZE 
1838-1906 
French reproductive etcher, pupil of Gaucherel. 


328 ENTRY OF CHARLES V. INTO ANTWERP 


Etching after Hans Makart. Beraldi No. 51. Proof 
with the etched signature, on Japan paper. With 
margin. Splendid impression in perfect condition. 


329 LA HALTE 


Etching after Meissonier. Beraldi No. 55. Proof be- 
fore all letters, on Japan paper. With margin. Fine. 


LAMBERT 
330 MONA LISA 


Stipple engraving after Leonardo da Vinci. Letter 
proof on French paper. Cut slightly within the plate- 
mark. 


SIR EDWIN LANDSEER 
1802-1873 
Celebrated English animal painter. 


3831 STAG AT BAY 


Engraving by Thomas Landseer. Proof before the 
title, on India paper. With full margin. 


52 


RICHARD LANE 
1800-1872 


English line-engraver and lithographer; pupil of Heath. He engraved 
many plates after Lawrence and Gainsborough, whose distant relative 
he was. 


332 LITTLE RED RIDING HOOD 


Engraving after Sir Thomas Lawrence. Print on plate- 
paper. With full margin. With another engraving 
‘*Girl at the Fountain,’’ in proof state. (2) 


JEAN NICOLAS LAUGIER 
1785-1875 
French line engraver; pupil of Girodet. 


333 PYGMALION AND GALATEA 


Engraving after Girodet-Triosson. Apell No. 10. Proof 
before the title, on India paper. With small margin. 
Fine impression. The plate was destroyed after a few 
impressions had been taken. 


AGOSTINO LAURO 
Italian line engraver of the early XIXth Century. 


334 THE THREE GRACES 


Engraving after Raphael. India paper proof before 
the title. With full margin. With two other engrav- 
ings ‘‘Venus de Medici’’ by Niquet and ‘‘Cupid and 
Psyche’’ by Schotte after Gérard, both proofs before 
the title. (38) 


NARCISSE LECOMTE 
1794-1882 
French line engraver and pupil of Lignon. 


335 EPISODES IN THE LIFE OF CUPID 


Set of six little line engravings after Gérard. Prints 
on India paper. With full margins. With one dupli- 
eate. Seven in all. (7) 


53 


E. BLAIR LEIGHTON 
Contemporary English figure painter. 


3386 SALLY IN OUR ALLEY 
Photogravure on Japan vellum, signed by the painter. 


SIR FREDERICK LEIGHTON 
1830- 


Celebrated English painter, pupil of Steinle and others. President 
of the Royal Academy. 


337 THE BRACELET 


Photogravure. Print on plate-paper, colored with the 
brush. With full margin. 


338 THE FRIGIDARIUM 


Photogravure. Print on plate-paper, colored with the 
brush. With full margin. 


AUGUSTIN FRANCOIS LEMAITRE 
1797-1870 


gis oe engraver, lithographer, and print-dealer. Pupil of 
Michallon and Fortier. 


339 LE MORT DE ROLAND 
Engraving after Michallon. Not mentioned by Apell. 
Proof before the title, on India paper; trimmed almost 
to plate-mark. With an autograph inscription in ink 
by the artist. Fine impression. 


JEAN MARIE LEROUX 
1788-1871 
French line engraver, influenced by David and Desnoyers. 


340 LEDA 


Engraving after Leonardo da Vinci. Apell No. 11. 
First state. Proof before the title on Dutch paper, 
trimmed just inside of the plate-mark. Beautiful im- 
pression. 


54 


JULES GABRIEL LEVASSEUR 
1823- 
French line engraver, pupil of Girard and Henriquel Dupont. 


341 MA SCUR N’Y EST PAS! 
Engraving after Hamon. Beraldi 3. Signed artist’s 
proof before all letters, on India paper. With full 
margin. Beautiful impression. 
From the Alferoff Collection. 
‘*Ce sujet a en une popularité extraordinaire.’ ’—Beraldi. 


FREDERICK CHRISTIAN LEWIS 
1779-1856 


English stipple, mezzotint, and aquatint engraver, pupil of Stadler. 
He was engraver to George IV, William IV, and Queen Victoria. 


342 ANNE DUCHESS OF ATHOLE 
Mezzotint after Grant. Proof before the title, on India 
paper. With small margin, Slight stains just in the 
margin. 


VICTOR GUSTAVE L’HUILLIER 


French reproductive etcher working in London. Pupil of Gaucherel. 
He has exhibited since 1879. 


343 ‘““‘WHEN A MAN’S SINGLE, HE LIVES AT HIS 
EASE’’ 
“WHEN A MAN’S MARRIED, HIS TROUBLES 
NEVER CEASE”’ 
Etchings after J. Watson Nicoll. One of them a sub- 
seriber’s proof, the other a Japan paper proof signed 
by both painter and etcher. (2) 


344 ‘“‘WHEN A MAN’S SINGLE, HE LIVES AT HIS 
EASE’’ 
Engraving after J. Watson Nicoll. Proof before all 
letters on India paper. With 5 other miscellanious en- 
gravings. (6) 


55 


ETIENNE FREDERIC LIGNON 
1781-1833 
French line-engraver, pupil of Alex. Morel. 


345 LA VIERGE AU POISSON 


Engraving after Raphael. Apell No. 1. Third state. 
Open letter proof on Dutch paper. With narrow 
margin. Fine impression. 


GIUSEPPE LONGHI 
1766-1831 
Celebrated Italian engraver and pupil of Vangelisti. ‘‘ He rose rapidly 
into eminence, becoming one of the greatest masters of his art. Under 
his direction the school at Milan became famous. His famous work, 
La Calcografia, printed at’ Milan in 1830, shows that he was in accord 
with the best traditions of his art.’’—W. O. Chapin. 


346 GALATEA 


Engraving after Albani. Apell No. 18. Two proofs, 
one an unfinished trial proof on Italian paper with 
margin; the other a lettered impression on Italian 
paper with full margin. There are several slight 
printer’s folds across the center of the inscription. (2) 


347 LE DELIZIE MATERNE (Lady Burghers and Son) 


Engraving after Sir Thomas Lawrence. Apell No. 22. 
Print on Italian paper. With full margin. 


348 BUST OF AN OLD WOMAN 


Engraving after his own design. Apell No. 31. Splendid 
impression on plate paper with full margin. With 
‘‘Virgin and Child,’’ stipple engraving aftetr Parmi- 
giano; proof before the title. (2) 


349 THE DESTINATION OF CUPID’S ARROW 
Engraving after Guido Reni. Not mentioned by Apell. 
Proof before the title on Italian paper. With full 
margin. Also Longhi’s first free etching of the sub- 
ject on Dutch paper. With full margin. (2) 


350 LE PHILOSOPHE EN CONTEMPLATION 
Engraving after Rembrandt. Letter proof on plate- 
paper with margin. With the same subject engraved 
in reverse by his pupil, P. Caronni, and another en- 
eraving after Rembrandt by G. Planer, Rembrandt 
and Saskia, proof before title, on India paper. (3) 


06 


ARISTIDE LOUIS 


Died young in the year 1853 
French line engraver, pupil of Henriquel-Dupont. 


301 MIGNON REGRETTANT LA PATRIE 
MIGNON ASPIRANT OU CIEL 
Engravings after Ary Scheffer. Apell Nos. 4 and 5. 
Proof before letters, on India paper. With full margins. 


Fine impressions. Also ‘‘L’innocence’’ after Greuze. 
Apell No. 6. Proof before the title No. 58. (3) 


THOMAS LUPTON 


1791-1873 
English mezzotint engraver, pupil of Clint. He was the first to use 


in plates for mezzotint engraving and he engraved many plates after 
ner. 


302 REBECCA 


Mezzotint after Goubaud. With the inscription in open 
letters on plate-paper. With full margin. Fine im- 
pression. 


303 THE EARL OF EGREMONT 


Mezzotint after Clint. Open letter proof, with the word 
‘“proof,’’ on India paper. With margin. 


304 MISS FOOTE, As Maria Darlington in the Farce of 
‘‘A Rowland for an Oliver.”’ 
Mezzotint after Clint. Print on plate-paper. With 
small margin. Some slight printer’s folds below. 


300 PATRICK GIBSON 
Mezzotint after Macartan. With the inscription in 
open letters on plate-paper. With full margin. Fine 
impression. 


306 GENERAL JOHN HALE 
Mezzotint after Sir Joshua Reynolds. With the in- 
scription in open letters on plate-paper. With margin. 
Private plate. 


307 CHARLES KEMBLE 
Mezzotint after Harlow. With the inscription in open 
letters on Holland paper. With small margin. Fine 
impression in fine condition. A minute fold on fore- 
head. 
57 


ae 


358 KEAN AS SIR GILES OVERREACH 


Mezzotint after Clint. Open letter proof, with the word 
‘“proof,’’ on plate-paper. Trimmed closely to the plate- 
mark on bottom and remargined. 


359 GENERAL SIR PEREGRINE MAITLAND, Lieu- 
tenant-Governor of Canada 


Mezzotint. Proof before all letters, on plate-paper. 
With margin. Signed. Private plate. Very fine im- 
pression. 


360 LADY MUNRO 


Mezzotint after Sir Thomas Lawrence. Proof before 
all letters on plate-paper. With margin. In splendid 
condition. 


361 REVEREND EDWARD PARSON 


Mezzotint after Northcote. Printed in two colors and 
touched up with the brush. On plate-paper with margin. 
Fine impression. 


362 SCENE FROM PAUL PRY. Portraits of Mr. Liston, 
Mr. Williams, Miss P. Glover and Madame Vestris. 


Mezzotint after G. Clint. Superb proof with the 
artists’ names and the publication line in traced letters. 
In perfect condition with full margin (deckel edges). 


363 SIR WALTER SCOTT 


Mezzotint after Lindsay. With the iscription in open 
letters on plate-paper trimmed closely to the plate- 
mark. 


This was the last portrait taken of Scott. 
From the Holden Collection. 


ROBERT W. MACBETH 
1848- 
Contemporary English etcher. 


364 THE PIED PIPER OF HAMLIN 


Etching after the painting by C. J. Pinwell. Signed 
artist’s proof on smooth Japan paper. With full 
margin. 

58 


MACBETH-RAEBURN 


Contemporary English etcher and engraver. 


365 THE ODDIE CHILDREN 
Mezzotint printed in colors after the painting by Sir 
William Beechey. Signed artist’s proof on India paper. 
With full margin. Impression number 20. 


GEORGES MAILE 
Flourished 1818-1841 


French or English stipple and mezzotint engraver, working at 
London and Paris. 


366 MULE. DE LAVALLIERE 


Mezzotint after Goubaud. Print on plate-paper. With 
full margin. 


367 PSYCHE 
Mezzotint after Harper. Print on India paper. With 
full margin. With a lithograph ‘‘Oh! Quelle est Jolie!”’ 
copied from the stipple ‘‘Oh! Che Boccone’”’ by Burke 
after Sicardi. India paper proof. With full margin. 


(2) 


JOHANN AUGUST EDUARD MANDEL 
: 1810-1882 
German line engraver, pupil of Buchhorn. The last of the 
great line-engravers. 
368 DIE LURLEI 
Engraving after Carl Begas 1839. Apell No. 15. 
Second state. Proof before the title. With full 
margins. Also the Triumph of Galatea by Gustave Biot 
after Raphael. Apell No. 2. First state. Signed 
remarque proof on India paper. With full margin. (2) 


369 DER KRIEGER MIT SEINEM KIND 


Engraving after Th. Hildebrandt. Apell No. 16. Second 
state. With the inscription in open letters on plate- 
paper. With full margin. Fine impression. 


370 ELISABETH QUEEN OF PRUSSIA 


Engraving after Stieler. Apell No. 25. Fourth or 
fifth state. Title and inscription have been erased. 
Print on India paper. With full margin. With auto- 
graph signature and inscription by the artist. 


59 


CHARLES FRANCOIS MARCHAL 
1825-1877 


French genre painter, pupil of Drolling and Dubois. His reputation 
was acquired by his pictures of Alsatian life and customs. 


371 PENELOPE. PHRYNE 


Engravings after C. Marchal, by Bertinot and Hout re- 
spectively. Proofs before the titles, on India paper. 
With full margins. With autograph inscription and 
signature of the painter Marchal. (2) 


372 ANOTHER PAIR OF THE SAME 
In the same state and condition as the above. (2) 


ACHILLE LOUIS MARTINET 
1806-1877 


French line-engraver, pupil of Pauquet and Forster. In 1830 
he received the ‘‘Prix de Rome.’ 


373 LA VIERGE AUX PALMIERS 


Engraving after Raphael. Apell No. 8. Proof before 
the title on India paper. With full margin. Fine. 


LEOPOLD MASSARD 
1812-1889 


French lithographer and engraver, pupil of his father, 
Alexandre Massard. 


374 LE BAGGAGE DE CROQUEMITAINE 


Engraving after Labrichon. Remarque proof on India 
paper. With full margin. With another engraving 
‘Cats and a Muff,’’ by Hunter after Ronner. (2) 


60 


RAPHAEL URBAIN MASSARD 
1775-1849 
French line-engraver, pupil of his father Jean Baptiste Massard. 


375 HOMER, BLIND, LED BY A BOY 


Engraving after F. Gérard. Apell No. 14. Third state. 
Open letter proof. With full margin. 


376 ANOTHER IMPRESSION OF THE SAME 


Engraving after Gérard. Apell No. 14. Fourth state. 
Print on Dutch paper, trimmed closely to the plate- 
mark and remargined. 

Companion to No. 105. 


ARMAND MATHEY-DORET 


1854- 
French reproductive etcher. Pupil of Waltner. 


377 CHARLES THE FIRST AND THE DUKE OF 
HAMILTON 


Etching after A. Van Dyck. With the inscription in 
open letters on India paper. With small margin. 


378 GIOVANNA TORNABUONI 


Etching after Ghirlandaio. Signed remarque proof on 
vellum. With full margin. 


CHARLES MAURIN 


Contemporary French etcher and aquatinter in colors. 


379 LE BAIN 


Painter-aquatint in colors. Signed artist’s proof on 
Dutch paper. With full margin. 


380 ENTREE AU BAIN 


Painter-aquatint in colors. Signed artist’s proof on 
Dutch paper. With full margin. Number 22 of 50 
printed. 


61 


381 LA FEMME VUE DE DOS 


Painter-aquatint in colors. Signed artist’s proof on 
Holland paper. With margin. Proof number 17. 


382 PREMIERE TOILETTE 


Painter-aquatint in colors. Signed artist’s proof on 
Japan paper. With margin. Number 21 of 50 printed. 


383 SORTIE DU BAIN 


Painter-aquatint in colors. Signed artist’s proof on 
Dutch paper. With margin. Number 44 of 50 printed. 


GABRIEL MAX 
1840- - 
Bohemian historical and genre painter. Pupil of von Piloty. 


3884 THE GREETING TO THE MARTYR 


Photograph. 15144 x 2114. Published by F. Hanf- 
staengl. 


JEAN LOUIS ERNEST MEISSONIER 
18132-1891 
Celebrated French painter, etcher, and vignettist. ‘‘The several etch- 
ings which for him were only an intermezzo in his work, are among 
the most precious in the history of engraving.’ ’—Beraldi. 


385 LE GRAND FUMEUR 


Painter-etching. Beraldi No. 13. India paper proof. 
With large margin. Published in 1843 in ‘‘Le Cabinet 
de 1’Amateur.”’ 


386 LE SERGENT RAPPORTEUR 
Painter-etching. Beraldi No. 14. Early state before 
the name of Salmon. Proof on etching paper. With 
full margin. 


387 MONSIEUR POLICHINELLE 


Etching by Rajon after the design by Meissonier. 
Beraldi No. 15. Early state with the remarque and 
before the plate was cut; only 2 or 3 proofs. Fine 
impression on Dambricourt paper. With margin. 


62 


388 


389 


390 


391 


392 


POSTILLON DEVANT UNE AUBERGE 


Etching by L. Monziés. Beraldi No. 33. Remarque 
proof, signed by both painter and etcher, on vellum. 
With margin. FIne. 


LE PORTRAIT DU SERGENT 


Htching by Jules Jacquet. Beraldi No. 36. Remarque 
proof, signed by both painter and etcher, on vellum 
with full margin. The remarque was etched by Meis- 
sonier himself. VERY FINE. 


LES BONS AMIS 


Engraving by Revel and Blanchard. With the inscrip- 
tion in script, on India paper. With full margin. 


LA PARTIE DE PIQUET 


Etching by Auguste Boulard. Remarque proof, signed 
by both painter and etcher, on vellum. With full 
margin. 


LES RENSEIGMENTS 


Etching by Achille Jacquet. Signed remarque proof 
on vellum. With margin. 


63 


THIRD SESSION 
Wednesday. Evening, February 28, 1917, at 8:15 o'clock 
LOTS 393-597 


GUSTAVE MERCIER 


French etcher flourishing from 1870 to about 1890. Pupil of P. Rajon. 
Famous for his portraits of Rochefort and Darwin. 


393 DARWIN 


Ktching after Ouless. Signed remarque proof on 
Japan paper. With full margin. 


394. LE FIN DE LA JOURNEE 


Etching after Jules Breton. Remarque proof on Japan 
paper, signed by both artists. In perfect condition. 


HENRY MEYER 
1782-1847 
English mezzotint and stipple engraver. Pupil of Bartolozzi and 


nephew of John Hoppner. Famous as the engraver of the mezzotint 
of Lady Hamilton. 


.3895 THE STOLEN KISS 


Engraving after Kidd. Open letter proof on India © 
paper. With full margin. With another engraving, ‘‘ Die 
Ereilten Fliichtlinge,’’ by J. Sonnenleiter after Kurz- 
bauer. Proof before all letters, on India paper. (2) 


SAMUEL MIDDIMAN 
1750-1831 
English line engraver of the school of William Woollett. 


396 CALYPSO AND ODYSSEUS 


Engraving after Benjamin West. Impression with the 
inscription; has been trimmed inside the plate-mark 
and the margins strengthened. 


64 


EDWARD MITCHELL 
English mezzotint engraver of the early XIXth Century. 


397 HON. ROBERT CULLEN 


Mezzotint after Foulis. Open letter proof trimmed to 
the plate-mark and slightly inside of it at the bottom. 
Fine impression. Slightly rubbed. 


JAMES MITCHELL 
1791-1852 
Scotch reproductive engraver of the school of David Wilkie. 


398 ALFRED IN THE NEATHERD’S COTTAGE 
Engraving after Sir David Wilkie. Open letter proof 
trimmed closely to the plate-mark. 


ALBERT MOORE 
1840- 
Famous English painter, pupil of his father, William Moore. 


399 A SUMMER NIGHT 
Photogravure. Print on India paper, colored with the 
brush. With full margin. 


RAPHAEL MORGHEN 
1758-1833 

Born in Florence, pupil of G. Volpato. ‘‘Probably no engraver has 
had so large a following as Raphael Morghen. This is partly due to his 
soft and captivating style and partly to his excellent judgment in the 
choice of subjects. Morghen has preserved to the world the almost 
extinct glories of Leonardo da Vinci’s Last Supper in a plate which 
alone would have made the reputation of any engraver.’ ’—Frederick 
Keppel. 


3994 THE LAST SUPPER 
Line-engraving after Leonardo da Vinci. Halsey No. 84. 
First finished state. The initials R. M. of the plate in 
front of the Apostle Simon have been removed, the 
plate itself is shaded and there are now three pieces of 
bread on the plate. The inscription in large script 
reads ‘‘Ferdinando III Austriaco—Magno Hetrurie 
Duce.—Nicolaus de Antony excudit.—Raphael Morghen 
D.D.D.’’ Very fine and brilliant impression with margin 
trimmed to the plate-mark. Laid down on drawing 
paper for framing. 
65 


JOHANN FRIEDRICH WILHELM MULLER 
1781-1816 
Son and pupil of J. G. v. Miiller. , See note below. 


400 MADONNA DI SAN SISTO 


Engraving after Raphael. Apell No. 3. Second state. 
Proof with the title in large open script, on India 
paper. Remounted. A few slight tears and wrinkles 
just in the margin. Superb impression, most rare in 
this state. 

‘*His short life is identified with his great work of engrav- 
ing Raphael’s ‘Sistine Madonna,’ which places him at the 
head of all modern engravers. Six years before his death he 
was commissioned by Rittner, of Dresden, to engrave that 
inspired picture, which is the pride of the Dresden Gallery. His 
very existence seemed wrapped up in the execution of this 
plate; he worked upon it day and night with the same seltf- 
consuming zeal that Mozart expended on the ‘Requiem,’ which 
proved to be his own. When the plate was finished he took it 
to Rittner; but the man of business refused it, on the ground 
that the lines were so delicately cut that it would not print a 
sufficient number of impressions. Every line had to be deep- 
ened; and this thankless toil broke the heart of poor Miller. 
He bore up till his task was finished, and then he sank into 
the gloom of hopeless insanity, and died the very day that the 
first proof of his plate was printed. It was hung over his bier 
as he lay dead.’’—Frederick Keppel. 


(See Frontispiece. ) 


H. NORMAN 


Contemporary English mezzotint engraver and color printer. 


401 LADY CARMICHAEL 


Mezzotint printed in colors after Sir Henry Raeburn. 
Signed artist’s proof on India paper. With full 
margin. Limited to 300 proofs. 


402 MRS. CUNLIFFE OFFLEY 
Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof on plate-paper. With full margin. 
Limited to 300 proofs. 


R. B. PARKES 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


4083 THE HON. MRS. PARKES AND SON 
Mezzotint after Sir Joshua Reynolds. Signed artist’s 
proof on India paper. With margin. 


66 


STEPHEN PARRISH 


Contemporary American etcher and member of the New York 
Etching Club. 


404 FISHERMEN’S HOUSES, CAPE ANN 


Painter-etching. Parrish No. 49. Signed artist’s proof 
on Japan paper. With margin. 


405 THE BAY OF FUNDY 


Painter-etching. Signed remarque proof on Japan 
paper. With full margin. 


ANTONIO PERFETTI 
1792-1872 
Italian line engraver, pupil of Raphael Morghen. 


406 LA MADONNA DEL GRANDUCA 


Engraving after Raphael. April No. 6. Remarque 
proof on India paper. With full margin. Fine impres- 
sion in perfect condition. The last work of the en- 
graver. 


GEORGE HENRY PHILLIPS 
Flourished about 1835 
English mezzotint engraver. 


407 MISS FANNY AYTON 


Mezzotint after Westall. Impression with the inscrip- 
tion trimmed inside the plate-mark. With a mezzotint 
‘‘Master Stuart’’ by Porter after Macartan; print on 
plate-paper, trimmed to plate-mark. (2) 


PHOTOGRAPH 


408 THE OCEAN BREAKERS 


Photograph from nature. Carbon print in green. 
Size 3314 x 4514 inches. Framed. 


67 


CATHERINA PIOTTI 
Italian reproductive engraver. Pupil of G. Longhi. 


409 QUEEN SEMIRAMIS RECEIVING THE NEWS OF 
THE INSURRECTION OF HER SOLDIERS 
Engraving after Guercino. Apell No. 8. First state. 
Proof before all letters on Italian paper. With full 
margin, Plate-mark below has been slightly reinforced. 
Fine impression. 


JOSEPH AND POTIPHAR’S WIFE 
Engraving by R. Strange after Guido Reni. Impres- 
sion with the inscription and with wide margin. (2) 


VICTOR FLORENCE POLLET 


French line engraver, pupil of J. T. Richomme. 


410 ALFRED DE MUSSET 


Engraving after Landelli. Apell No. 3. First state. 
Proof before the title, on India paper. With full 
margin. Fine. 


CARLO ANTONIO PORPORATI 
1741-1816 


Italian line engraver, pupil of Chevillet and Beauvarlet. One of the 
most able engravers of the Italian school of the XIXth Century. 


411 THE DAUGHTER OF PORPORATI 


Stipple engraving after his own design. Proof before 
the title, trimmed just within the plate-mark on the 
sides. Beautiful clear impression. 

From the Firmin-Didot Collection. 


JOSEPH B. PRATT 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


412 MISS SELINA BERESFORD 
Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. Limited to 200 
proofs. 
68 


413 


414 


415 
416 
417 
418 
419 


420 


421 


COUNTESS OF DARNLEY AND DAUGHTER 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. 


MRS. GLYN 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. Limited to 225 
proofs. 


DUCHESS OF GORDON 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


LADY HAMILTON 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. 


ANOTHER IMPRESSION OF THE SAME 


In the same state and condition as above; the margin 
is slightly cut down. 


LADY HAMILTON AS MIRTH 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


LADY RAGLAN 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof on India paper. With full margin. 


THE VERNON CHILDREN 


Mezzotint after George Romney. Signed artist’s proof 
on India paper. With full margin. 


JOHANN LEONHARD RAAB 
1825-1899 
German etcher and engraver, pupil of Reindel. 


BEFORE COURT 


Engraving after B. Vautier. Proof before the title, on 
India paper. With full margin. 


69 


PAUL RAJON 
1843-1888 


French draughtsman and etcher, pupil of Gaucherel and Bracquemond. 
‘*As time passes, the rare skill and refined perceptions Rajon brought 
to the service of his art will more clearly define his unique and dis- 
tinguished place among XIXth century etchers and portraitists.’’—R. J. 
Wickenden. 


422 PORTRAIT OF CARDINAL NEWMAN 


Etching after the painting by Ouless. Beraldi No. 167. 
Signed artist’s proof on plate paper. With margin. 


423 LE PREMIER NE 


Etching after the painting by Vibert. Remarque proof 
on Japan paper. With full margin. 


“~ 


REMBRANDT 
1607-1669 
Dutch painter and etcher. One of the greatest artists of all time. 


424 PORTRAIT OF A RABBI 
Etching by K. Koepping. Signed artist’s proof on 
imperial Japan paper. With margin. Framed. 


H. REYE 


425 THE WOODLAND POOL 


Drawing by H. Reye. Signed in lower left corner. 
Framed. 


ROBERT REYHER 
1838-1877 
German line engraver, who died young. Pupil of Mandel. 


426 FREDERICK CHOPIN 
Engraving after Bovy. Apell No. 7. 


RICHARD WAGNER 
Engraving from a photograph. Apell No. 17. Both 
India paper proofs. With full margins. (2) 


427 MARIA MANCINI, DUCHESS DE BOUILLON 
Engraving after P. Mignard. Apell No. 11. Proof 
before the title on India paper. With full margin. Fine 
impression. s 


JEAN FRANCOIS RIBAULT 
1767-1820 
French reproductive engraver, pupil of Ingouf. 


428 PARIS AND GNONE 
Engraving after Van der Werff. Apell No. 3. Proof 
before the title on Dutch paper, cut slightly within the 
plate-mark. 


RAPHAEL 
Engraving after Ducis. Proof before the title on Dutch 
paper. With margin. 


PROPERZIA DE ROSSI SCULPTANT SON 
DERNIER OUVRAGE . 
Engraving after Ducis. Impression with the title. With 
full margin. Companion to the above. (38) 


ANTONIO RICCIANI 


1775- 
Italian line engraver. 


429 THE ASCENSION OF THE VIRGIN 
Engraving after Giulio Romano. Apell No. 8. Proof 
before title, on Italian paper. With margin. Brilliant 
proof. : 


JOSEPH THEODORE RICHOMME 
1785-1849 


Celebrated French line engraver, pupil first of Regnault, the painter, 
and afterwards of J. J. Coiny, the engraver. His work ranks with 
that of the best modern engravers of Italy. 


430 LA VIERGE AU SILENCE 
Engraving after Annibale Carracci. Apell No. 4. 
Proof before the title on India paper. With full margin. 
Fine impression. 


431 THE TRIUMPH OF GALATEA 
Engraving after Raphael. Apell No. 9. Third state. 
Fine lettered impression on plate-paper trimmed to 
the plate-mark. One of the artist’s masterpieces. 


al. 


432 


433 


434 


435 


436 


437 


THETIS CARRYING THE ARMOR OF ACHILLES 


Engraving after F. Gérard. 1827. Apell No. 10. 
Second state. Open letter proof on plate-paper. With 
full margin. 


NEPTUNE AND AMPHITRITE 


Engraving after Giulio Romano. Apell No. 11. Second 
state. Fine impression on Dutch paper; trimmed to 
the plate-mark. 


DAPHNIS AND CHLOE 


Engraving after Gérard. Apell No. 13. First state. 
Proof before the title. Beautiful proof on Italian 
paper. With margin. In perfect condition. 


PYRRHUS AND ANDROMACHE 


Engraving after Guérin. Apell No. 15. An earlier 
state than Apell’s first, before the title in traced letters. 
Fine impression on Holland paper; trimmed slightly 
within the plate-mark. 


MARC ANTONIO RAIMONDI 


Engraving after Raphael. Apell No. 21. Second state. 
Proof before the title, on India paper. With full margin. 
Slightly torn in places and re-laid. Fine impression. 


PAOLO TOSCHI 


Engraving by C. Ramondi after his own design. Apell 
No. 3. Remarque proof on India paper. With full 
margin. 


ROBERT STRANGE 


Engraving by R. Strange after J. B. Greuze. Apell 
No. 50. Proof before the title on Dutch paper. With 
wide margin. (3) 


GERALD ROBINSON 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


PRINCESS SOPHIA 


Mezzotint after John Hoppner. Signed artist’s proof 
on India paper. With full margin. 


72 


JOHN H. ROBINSON 


438 THE WOLF AND THE SAINT 


Engraving after Mulready. Print on plate-paper; 
with margin trimmed to the plate-mark. 


FRANCESCO ROSASPINA 
1762-1842 
Italian engraver, pupil of Giovanni Volpato and Raphael Morghen. 


439 THE DANCE OF CUPIDS (The Rape of Proserpina) 


Engraving after Francesco Albano. Apell No. 12. 
First state. Proof before all letters and before the 
border. With margin. Superb impression in perfect 
condition. One of the most charming of all line- 
engravings. 


H. T. RYALL 
English reproductive engraver of the late XIXth Century. 


440 LORD DE SAUMAREZ 


Mezzotint after Lane. Lettered proof on plate-paper; 
trimmed to the plate-mark. Fine impression. 


J. PERCY SABIN 


Contemporary American mezzotint engraver and color printer. 


441 MADAME DE CLERMONT 
Mezzotint printed in colors after Mare Nattier. Signed 
artist’s proof on plate-paper. With full margin. Num- 
ber 2 of 100 printed. 

442 ANOTHER IMPRESSION OF THE SAME 


Unfinished trial proof, before the plate was cut; signed 
by the engraver, on plate-paper. With full margin. 


443 ANOTHER IMPRESSION OF THE SAME 


Early trial proof, signed by the engraver; on plate- 
paper. With full margin. 


73 


444 LADY HAMILTON 


Mezzotint printed in colors after John MHoppner. 
Signed artist’s proof on plate-paper. With margin. 
Number 9 of 60 printed. 


445 AMELIA DI SOHNS 


Mezzotint printed in color after A. Van Dyck. Signed 
artist’s proof on plate paper. With full margin. 


H. SACHS 
German reproductive engraver of the late XI Xth Century. 


446 IN THE GLOAMING 


Engraving after Spangenberg. Apell No. 6. India 
paper proof with the etched signature. Full margin. 
With two other engravings. (3) 


W. DENDY SADLER 


Famous English historical painter, born at Dorking in 1845. Pupil 
of the Dusseldorf School. Became a member of the Society of British 
Artists in 1880. ‘‘In the progress of my essay upon the art of Mr. 
Sadler I shall take occasion to refer to various equally original and apt 
illustrations of his wealth of insight and sympathy as they present 
themselves in detail to us. These illustrations will fall into their places 
in unison with other matters to be noticed when the painter is considered 
as a humorist and the genial satirist of by-gone days, manners, moods, 
and customs.’’—G. F. Stephens. 


447 THE BUTLER’S GLASS 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With full margin. 
Companion to No. 455. 


448 CHANCE COMPANIONS 


Etching by H. Macbeth-Raeburn. Remarque proof, 
signed by both artists, on Japan vellum. With margin. 


449 DARBY AND JOAN 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With full margin. One 
of the artist’s masterpieces. 


74 


450 


451 


452 


453 


454 


455 


456 


457 


458 


459 


THE DOUBTFUL BOTTLE 


Ktching by James Dobie. Remarque proof, signed by 
both artists, on Japan vellum. With margin. 


DUMMY WHIST 


Etching by Gaujean. Artists’ proof, signed by both 
artists, on imperial Japan paper. With full margin. 


FOR HE’S A JOLLY GOOD FELLOW 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With full margin. 


FRIDAY 


Etching by Fred Slocombe. Artists’ proof, signed by 
both artists, on plate-paper. With full margin. 


HEARTS ARE TRUMPS 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on imperial Japan paper. With margin. 


HIS FAVORITE BIN 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With full margin. 
Companion to No. 447. 


HOME-BREWED 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on thin Japan paper. With full margin. 


THE HUNTING MORN 


Etching by H. Macbeth-Raeburn. Remarque proof, 
signed by both artists, on Japan vellum. With margin. 


OLD AND CRUSTED 
Etching by W. Boucher. Remarque proof, signed by 
both artists, on thin Japan paper. With full margin. 
One of the artist’s masterpieces. VERY RARE. 
Companion to No. 459. 


OVER THE NUTS AND WINE 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on thin Japan paper. With full margin. 
Companion to No. 458. 


75 


460 


461 


462 


463 


464 


465 


466 


467 


468 


469 


THE RIVALS 
Etching by Gaujean. »Artist’s proof, signed by both 
artists, on Imperial Japan paper. With full margin. 


“SWEETHEARTS’’ 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With margin. 


THURSDAY 


Etching by Fred. Slocombe. Signed artist’s proof on 
imperial Japan paper. With full margin. 


UNINVITED GUESTS 


Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With full margin. 
Companion to No. 469. 


THE VICTIM 
Etching by E. Gaujean. Artist’s proof, signed by both 
artists, on imperial Japan paper. With full margin. 


WHEN WE WERE BOYS TOGETHER 
Etching by James Dobie. Remarque proof, signed by 
both artists, on Japan vellum. With margin. 


WHERE THE WIDOW LIVES 
Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With margin. Lower 
margin slightly rubbed. 
Companion to No. 467. 


WHO IS IT? ; ; 
Etching by W. Boucher. Remarque proof, signed by 
both artists, on imperial Japan paper. With full 
margin. 
Companion to No. 466. 


THE WIDOW’S BIRTHDAY 
Etching by E. Gaujean. Artists’ proof, signed by both 
artists, on Japan vellum. With margin. Slightly 
rubbed on the margin. 


THE WRONG SIDE OF THE HEDGE 
Etching by W. Boucher. Remarque proof, signed by 
both artists, on Japan vellum. With margin. 
Companion to No. 463. 
76 


JOHN SARTAIN 
1808-1907. 
American engraver and mezzotinter born in London and working 
in Philadelphia. : 


470 IRENE 


Mezzotint after Joseph Coomans. Signed remarque 
proof on India paper. With full margin. 


EUGEN SCHAFFER 
1802-1871 
German reproductive engraver. Pupil of Ulmer. 


471 DER ERLKONIG 


Engraving after Neher. Signed artist’s proof on India 
paper. With full margin. Also ‘‘The Hamadryad’’; 
engraved by Noel Paton. Signed artist’s proof on 
India paper. (2) 


B. SCHUTTE 
Reproductive engraver of the late XI Xth Century. 


472 THE STABLE 


Mezzotint after George Morland. Signed artist’s proof 
on India paper. With margin. 


JAMES SCOTT 
1809- 
English mezzotint engraver of the early XIXth Century. 


473 MRS. GAINSBOROUGH 


Mezzotint after Thomas Gainsborough. Also Mrs. Gage 
and Child. Seript letter proofs on India paper. (2) 


JOHN SCOTT 


1774-1827 
English line engraver, famous for his engraving of horses 
and dogs. Pupil of Pollard. 


474 THE VILLAGE FESTIVAL 


Engraving after Wouwerman. Print on satin and 
mounted down. With ‘‘The Interior of a Cottage’’ by 
Cardon after Ostade. Likewise printed on satin. (2) 


717 


HANS SEYDEL 


Contemporary German etcher. 


475 PORTRAIT OF PROFESSOR MOMMSEN 
Etching from life. Signed artist’s proof before all 
letters on Van Gelder paper. With full margin. Num- 
ber 18 of 25 proofs. 


C. W. SHERBORN 
1831- 


English engraver who died but a few years ago. He was 
famous for his bookplates. 


476 THE CAT 
Painter-etching. Signed artist’s proof on Japan paper. 
With margin. 


477 ILLUSTRATION TO LA FONTAINE 
Painter-etching. Signed remarque proof, on Japan 
paper. With margin. 


ALEXANDRE VINCENT SIXDENIERS 
1795-1846 
French line and mezzotint engraver, pupil of Villerey. 


478 ARAGO 


Mezzotint after Henri Scheffer. India print. With 
full margin. 


ALFRED SKRIMSHIRE 


Contemporary English mezzotint engraver and color printer. 


479 VISCOUNT ALTHORP 


Mezzotint printed in colors after John Hoppner. 
Signed artist’s proof on India paper. With full 
margin. 


480 THE BAYLLIE FAMILY 


Mezzotint after Thomas Gainsborough. Proof before 
all letters, printed in black ink. First impression from 
the plate. 


78 


481 THE SETTING SUN (The Godsall Children) 
Mezzotint printed in colors after John Hoppner. 
Signed artist’s proof on India paper. With margin. 

482 MRS. ROBINSON 
Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof on plate-paper. 

4838 CARDINAL YORK 


Mezzotint printed in colors after Larguilliére. Signed 
artist’s proof, on India paper. With full margin. 


RICHARD SMYTHE 


Contemporary English mezzotint engraver and color printer. 


484 LADY CHARLOTTE CAMPBELL as Flora 
Mezzotint after John Hoppner. Signed artist’s proof, 
on India paper. With full margin. 

485 LADY CONYNGHAM 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full 
margin. 


486 COUNTESS OF HAREWOOD 


Mezzotint printed in colors after John MHoppner. 
Signed artist’s proof, on India paper. With full 
margin. 


487 MARCHIONESS SALISBURY 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full 
margin. 


FREDERICK STACPOOLE 
English engraver and mezzotinter of the late XIXth Century. 


488 DRAWING ROOM SCENE AT ST. JAMES PALACE 
IN THE REIGN OF QUEEN VICTORIA 
Mezzotint after J. Barrett. Proof before the title, on 
India paper. With margin. Also the key. (2) 


489 IN DISGRACE 
Mezzotint after C. Burton Barker. Artists’ proof on 
India paper, signed by both artists. With ‘‘The Dumb 
Mourner,’’ engraved by G. Zobel. Signed artist’s proof 
on India paper. Both with full margins. (2) 
T9 


ERNEST STAMP 


Contemporary English mezzotint engraver of the school of 
Samuel Cousins. 


490 MRS. WILLIAM URQUHART 


Mezzotint after Sir Henry Raeburn. Signed artist’s 
proof, on India paper. With full margin. 


491 COUNTESS OF WARWICK 


Mezzotint after Carolus Duran. Signed artist’s proof, 
on India paper. With full margin. Also with auto- 


graph signature of the personage: ‘‘Frances Evelyn 
Warwick.’’ 


MORITZ MULLER (called STEINLA) _ 
1791-1857 


German engraver, pupil of Raphael Morghen and Giuseppe Longhi. 
His name was really Miiller, but he adopted the name of his birthplace 
to avoid confusion with the two other great engravers of the same name. 


492 THE MADONNA OF BURGOMASTER MEYER OF 
BASLE 


Engraving after Hans Holbein. Apell No. 5. Second 
state. Beautiful proof before the title and before the 
coat-of-arms. In perfect condition. 


F. G. STEVENSON 


Contemporary English mezzotint engraver and color printer. 


493 BEATRICE D’ESTE 


Mezzotint printed in colors after an unknown painter 
of Leonardo da Vinci’s school. Stevenson No. 28. 
Signed artist’s proof, on India paper. With margin. 
Limited to 275 proofs. 


494 GIOVANNA TORNABUONI 


Mezzotint printed in colors after Botticelli. Stevenson 
No. 29. Signed artist’s proof, on India paper. With 
full margin. Limited to 275 proofs. 


80 


495 


496 


497 


498 


499 


500 


501 | 


502 


503 


LA BELLE SIMONETTA (Tornabuoni) 


Mezzotint printed in colors after Domenico Ghirlandaio. 
Signed artist’s proof, on India paper. With full 
margin. One of the artist’s masterpieces. 


JACQUELINE DE BOURGOGNE 


Mezzotint printed in colors after the painting by Jan 
de Mabuse. Stevenson No. 34. Signed artist’s proof, 
on India paper. With full margin. Limited to 200 
proofs. One of the artist’s masterpieces. 


AVENUE MILHARNAIS 


Mezzotint printed in colors after Hobbema. Stevenson 
No. 36. Signed artist’s proof, in India paper. With 
full margin. Limited to 200 proofs. 


THE HOPPNER CHILDREN 


Mezzotint printed in colors after John MHoppner. 
Signed artist’s proof, on Dutch paper. With full 
margin. 


MADONNA DELLA SEDIA 


Mezzotint printed in colors after Raphael. Signed 
artist’s proof, on India paper. With full margin. 


LADY PETRE 


Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof on India paper. With full margin 


PEG WOFFINGTON 


Mezzotint printed in colors after P. Van Bleeck. India 
paper proof. With full margin. 


EDWARD STODART 


Contemporary English stipple engraver. 


DIANA, LADY SINCLAIR 


Stipple printed in colors after Cosway. Signed artist’s 
proof, on India paper. With full margin. 


SOPHIA WESTERN 


_ Stipple engraving after John Hoppner. Signed artist’s 
proof on India paper. With margin. 
A portrait of Phoebe Hoppner, the painter’s daughter. 


81 


ROBERT STRANGE 
1721-1792 
Robert Strange, born at Pomona, Orkney Islands, was apprenticed to 
Richard Cooper at Edinburgh. He afterwards practiced engraving on his 
own account with fair success till 1745 when he joined the Jacobite forces. 
In 1761, having again got into trouble with the Government, he traveled 
for five years in Italy. Some of his finest plates were done during this 


period. Strange possessed technical abilities of a very high order.—W. 
O. Chapin. 


504 VENUS 
Line-engraving after Titian. Apell No. 20. Second 
Early impression before the number XXVII. On 
Italian paper. With margin. 
From the Nahl collection. 


DANAE 

Line-engraving after Titian. Apell No. 28. Second 
state. Early impression before the number XXVIII. 
On Italian paper. With margin. (2) 


The two form a pair. 


505 THE APOTHEOSIS OF THE CHILDREN OF 
GEORGE III 
Line-engraving after Benjamin West. Apell No. 40. 
First state. Proof before all letters. Trimmed inside 
plate-mark. Slight tear in lower margin carefully re- 
paired. Fine impression. 
From the Brentano collection. 


506 CHARLES I IN HIS CORONATION ROBES 
Engraving after Sir Anthony Van Dyck. Apell No. 46. 
First state. Proof before all letters on Italian paper. 
With full margin. Superb impression in perfect con- 
dition. 

507 CHARLES I AND THE DUKE OF HAMILTON 
Engraving after Sir Anthony Van Dyck. Apell No. 47. 


Third state. Impression with the inscription. With 
full margin. 


508 ANOTHER IMPRESSION OF THE SAME 
First state. Superb proof before all letters. With 
small margin in perfect condition. 
Companion to No. 509. 


509 HENRIETTA MARIA, CONSORT OF CHARLES I 
Engraving after Sir Anthony Van Dyck. Apell No. 48. 
Splendid impression. Second state. Proof before all 
letters. With full margin. With an unknown collector’s 
mark, stamped blind. 

Companion to No. 508. 
82 


L. ALMA TADEMA 
Celebrated Dutch historical painter, who worked in England. 


0910 THE FRIGIDARIUM 


Photogravure. Proof on India paper. Colored with 
the brush. With full margin. 


511 CAVALIER AND LADY 


Color facsimile. Torn in upper left corner. With 3 
other miscellaneous prints. (4) 


EDOUARD TAUREL 
1824- 
Dutch line engraver. Pupil of his father. 


512 WILLIAM THE SILENT OF ORANGE 


Engraving after Miereveld. Proof with the name of 
the personage in large traced letters, on India paper. 
With margin. Fine. 


JEAN CHARLES THEVENIN 
1819-1869 
French line engraver; pupil of Calamatta and Mercuri. 


518 THE CHILDREN OF CHARLES I 


Engraving after A. Van Dyck. Apell No. 5. Second 
state. Proof before the title, on India paper. With 
full margin. Fine. 


014 PORTRAIT OF GERARD DOW 


Engraving after G. Dow. Signed artist’s proof on 
chalked paper, with full margin. With three other por- 
traits: ‘‘Leonardo da Vinci’’ by J. M. Leroux after 
Leonardo da Vinci. Proof before the title on India 
paper; ‘‘Correggio,’’ by A. Marchesi, remarque proof 
on plate-paper, all with full margins; ‘‘ Albrecht 
Diirer,’’ by F. Forster, proof before the title, on India 
paper, remounted. (4) 


83 


PAOLO TOSCHI 
1788-1854 


Italian engraver, working at Parma. He was a pupil of Bervie in 
ene was also greatly influenced by. the painter Gérard and by 
onghi. 


915 MADONNA DELLA TENDA 


Engraving after Raphael. Apell No. 2. Fourth state, 
before the coat-of-arms. Proof on plate paper. With 
full margin. In perfect condition. 


516 VENUS AND ADONIS 


Engraving after Albano. Apell No. 8. Third state. 
Open letter proof on Italian paper with margin. Torn 
and mended along the plate-mark on the right. 


517 CARLO ALBERTO, KING OF SARDINIA. - 


Engraving after Horace Vernet. Apell No. 14. Second 
state. Proof before the title and before the coat-of- 
arms. Splendid impression. With full margin. Several 
slight creases. 


VAUGHAN TROWBRIDGE 


Contemporary English etcher and color printer. 


518 ANCIENT CHAPEL OF THE CHARTREUSE, 
NEAR AVIGNON 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 31 of 55 printed 
in colors. 


519 OLD CLOISTERS NEAR AVIGNON 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 19 of 55 printed 
in colors. 


520 ANCIENT CHURCH OF THE DOMINICANS, 
ARLES 
Painter-etching. Signed artist’s proof on Japan paper. 
Number 25 of 30 printed in black. 


521 ST. TROPHIME, ARLES 
Painter-etching. Signed artist’s proof on Japan paper. 
With margin. Number 23 of 110 printed. 


84 ; 


522 


523 


024 


529 


026 


527 


528 


529 


530 


CHAMPAGNE SUR SEINE, NEAR FONTAINE- 
BLEAU 

Painter-etching in colors. Signed artist’s proof on 

Japan paper. With margin. Number 18 of 55 printed 

in colors. 


THE TERRACE, CHAMPAGNE SUR SEINE 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 15 of 55 printed 
in colors. 


CLIFFS, FINISTERE, BRITTANY 
Painter-etching in colors. Signed artist’s proof on 


Japan paper. With margin. Number 47 of 55 printed 
in colors. 


CANAL ST. SEBASTIEN, MARTIGUES, FRANCE 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 19 of 55 printed 
in colors. 


LA MADELEINE, MARTIGUES 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 44 of 55 printed 
in colors. 


FOUNTAIN OF THE MEDICIS, JARDIN DU 
LUXEMBOURG, PARIS 


Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 39 of 55 printed. 


CATHEDRAL AT QUIMPER, FRANCE 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 25 of 58 printed 
in colors. 


VERSAILLES, ‘‘DRAGON’S BASIN” 


Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 42 of 55 printed 
in colors. 


THE WILLOWS 
Painter-etching in colors. Signed artist’s proof on 
Japan paper. With margin. Number 48 of 55 printed 
in colors. One of his most charmingly decorated plates. 


85 


JOHANN CONRAD ULMER 
1783-1820 
German engraver, pupil of J. G. v. Miiller. 
5381 ST. CECILIA 


Engraving after P. Mignard. Apell No. 4. Second 
state. Print on Italian paper trimmed near to the 
plate-mark. 


WILLIAM UNGER 
1837 j 
Contemporary Austrian etcher and engraver, pupil of Keller. 
682 THE ALTARPIECE OF ST. ILDEFONSO 


Etching after P. P. Rubens. Impression with the in- 
scription in traced letters. With full margin. 


5383 THE AVENGER OF HIS HONOR 
Etching after H. von Angeli. 


THE GYPSY 
Etching after A. von Pettenkofen. 


A SLEEPING BACCHANTE 


Engraving after Felix. All on India paper, with full 
margins. Two of them slightly colored. (3) 


EUGENE JOSEPH VERBOECKHOVEN 
1798-1881 
Flemish painter and etcher, pupil of his father. He was much 
influenced by Paul Potter. 
5384 HEIFER GRAZING 


Painter-etching. Proof before all letters on French 
paper. With margin. 


JOHANN FRIEDRICH VOGEL 
1829-? 
German line engraver, pupil of Reindel and Sichling. 
585 MARIA DE TASSIS 
Engraving after Van Dyck. Signed artist’s proof on 
Japan paper. With full margin. 
86 


WILLIAM WALKER 
1793-1867 
Scotch mezzotint and stipple engraver, pupil of Woolnoth and Lupton. 
“*In 1819 he returned to Scotland, where he engraved some fine plates 
after Raeburn. Among these were the portraits of Sir Walter Scott and 
the painter himself, for which he, Walker, had given Raeburn commis- 
sions,’ ’—Bryan. 


5386 THE DUKE OF PORTLAND 


Mezzotint after Sir Joshua Reynolds. Scratched letter 
proof on plate-paper. With full margin. Fine impres- 
sion in beautiful condition. 


5387 SIR WALTER SCOTT 
Stipple engraving after Sir Henry Raeburn. Impres- 
sion with the inscription, on plate-paper. With full 
margin. 


588 THE DISTINGUISHED MEN OF SCIENCE IN 
GREAT BRITAIN in 1807 
Engraving after Gilbert and Walker. Impression with 


the engraved autograph signatures, on India paper. 
With key. (2) 


539 LUTHER AND HIS ADHERENTS AT THE DIET 
OF WORMS 


Engraving after George Cattermole. Signed in pencil 
by the painter. Proof with the coat-of-arms, the names 
of the artists and the publication line in traced letters, 
signed in pencil by the painter. With full margin. 


CHARLES WALTNER 
Born 1846 
French reproductive etcher; pupil of Martinet. 


540 MRS. GRAHAM 


Etching after Thomas Gainsborough. Print on India 
paper. With margin. 


041 LADY MULGRAVE 


Etching after Thomas Gainsborough. Signed artist’s 
proof on vellum. With margin. 


87 


542 


043 


544. 


045 


546 


647 


548 


549 


PORTRAIT OF SAMUEL COUSINS 


Etching after Frank Holl. Open letter proof on Van 
Gelder paper. With full margin. 


PORTRAIT OF REMBRANDT 


Etching after Rembrandt. Signed artist’s proof, on 
Japan paper. With full margin. 


JAMES HENRY WATT 
1799-1867 
English reproductive engraver. 
THE PROCESSION OF THE FLITCH OF BACON 


Engraving after T. Stothard. Apell No. 7. Open 
letter proof on India paper. With full margin. 


ANOTHER IMPRESSION OF THE SAME 


Proof with the artists’ names and the date in traced 
letters, on India paper. With full margins. 


W. H. WATT 
English reproductive engraver of the early XIXth Century. 


THE PETS 


Engraving after Landseer. Letter proof on plate- 
paper. With margin. A charming little engraving. 


JOHN C. WEBB 


Contemporary English mezzotint engraver and color printer. 


MRS. ANDERSON 


Mezzotint after Sir Henry Raeburn. Signed artist’s 
proof on India paper. With margin. Limited to 200 
proofs. 


MISS CROKER 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full 
margin. 


PINKIE 
Mezzotint printed in colors, after Sir Thomas Lawrence. 
Signed artist’s proof, on plate-paper. With full margin. 
88 


FRIEDRICH WEBER 
1813-1882 


Swiss line engraver, pupil of Amsler, who was working at 
Munich and Paris. 


550 AMMERBACH 


Line-engraving after H. Holbein. Apell No. 16. First 
state. Signed artist’s proof on India paper. With full 
margin. 


HANS HOLBEIN 


Engraving after H. Holbein. Apell No. 19. First state. 
Remarque proof on India paper. With full margin. 


(2) 


EMIL WEHRSCHMIDT 


Contemporary mezzotint engraver of the school of 
Samuel Cousins. 


ddl LADY CARRINGTON 


Mezzotint after Sir Thomas Lawrence. Signed artist’s 
proof, on India paper. With full margin. 


552 LA COQUETTE 


Mezzotint after John Walton. Signed artist’s proof on 
India paper. With full margin. 


J. A. McNEILL WHISTLER 
1834-1903 
Celebrated painter and etcher. ‘‘With the master-etchers of the 
world—Meryon’s equal in some respects, and, in some _ respects, 
Rembrandt ’s—there stands James Whistler. Connoisseurs in France and 
England, in America, Holland, Bavaria, concede this now.’’—Frederick 
Wedmore. 


5538 STREET AT SAVERNE 


Painter-etching. Kennedy No. 19. One of the French 
Set first published in 1858. Fifth state. Fine impres- 
sion on Japan paper. With margin. 


554 LA VIEILLE AUX LOCQUES 


Painter-etching. Kennedy No. 21. One of the French 
Set, first published in 1858. Third state. Fine impres- 
sion on Japan paper. With full margin. 


89 


dd) LIME HOUSE 


Painter-etching. Kennedy No. 40. One of the Thames 
Set, first published in 1871. Third state. Splendid 
impression on old Whatman paper. With full margin. 
Printed by Whistler himself and so signed by him in 
pencil with the Butterfly followed by ‘‘imp.’’ 


5996 KAGLE WHARF 


Painter-etching. Kennedy No. 41. One of the Thames 
Set, first published in 1871. Only one state. Fine im- 
pression on Japan paper. With full margin. 


do? BLACK LION WHARF 


Painter-etching. Kennedy No. 42. One of the Thames 
Set, first published in 1871. Third state. Fine rich 
impression on Japan paper. With full margin. 


‘¢Mr. Whistler’s plate, ‘Black Line Wharf,’ or ‘The Black 
Lion,’ is one of the greatest engraved plates that has been 
produced in modern times. I would even say that it is the 
greatest etching of modern times were it not for the fact that 
it is but one of a set known as ‘The Thames Series,’ etched 
by the master some thirty-five years ago.’’—Joseph Pennell. 


508 THE POOL 


Painter-etching. Kennedy No. 48. One of the Thames 
Set, first published in 1871. Fourth state. Fine impres- 
sion on Japan paper. With margin. 


599 THAMES POLICE 


Painter-etching. Kennedy No. 44. One of the Thames 
Set, first published in 1871. Fourth state. Fine clear 
impression on old Dutch paper. With margin. Printed 
by Whistler himself and so signed by him with the 
Butterfly followed by ‘‘imp.’’ 

_ (See Illustration.) 


560 THE LIMEBURNER 


Painter-etching. Kennedy No. 46. One of the Thames 
Set, first published in 1871. First state before the light 
vertical lines to the right of the figure. Superb impres- 
sion on Whatman paper with full margin. Printed by 
Whistler himself and so signed by him in pencil with 
the Butterfly followed by ‘‘imp.’’ Also signed on the 
back in pencil with the Butterfly and the words ‘‘very 
fine proof.’’ 

‘*One of the most beautiful of Whistler’s plates and prob- 
ably the earliest example of system of composition which 
became very characteristic of him—that of a vista seen through 
a frame.’’—Frederick Keppel. 


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561 BILLINGSGATE 


Painter-etching. Kennedy No. 47. Eighth state. Good 
impression on Japan paper. With margin. 


562 ROTHERHITHE 


Painter-etching. Kennedy No. 66. One of the Thames 

Set first published in 1871. Third state. Full rich 
impression on old verger paper, with margin. 

‘*Every brick in the building on the right is carefully drawn, 

in order to produce the desired effect of color. This plate is 


one of the strongest and most vigorous of the series.’’—T. R. 
Way. 


563 OLD HUNGERFORD BRIDGE 


Painter-etching. Kennedy No. 76. One of the Thames 
Set first published in 1871. Third state. Very fine 
impression on Japan paper with margin. Printed by 
Whistler himself and so signed by him in pencil with 
the Butterfly followed by ‘‘imp.”’ 


‘<The reflections in the water are exquisite, and in the far 
distance the buildings down the river are indicated with great 
subtlety of touch.’’—T. R. Way. 


564 ADAM AND EVE TAVERN, OLD CHELSEA 


Painter-etching. Kennedy No. 175. Second state. Fine 
clear impression on Japan paper. With margin. 


‘*One of the most interesting, I think, of all his coppers is 
the ‘Adam and Eve Tavern,’ in which the earlier manner is 
broken away from and his final method is taking its place, 
both the styles harmonizing perfectly.’’—Joseph Pennell. 


EDWARD RICHARD WHITFIELD 
1817- 
English line engraver, pupil of Aug. Fox. 


565 LA BELLA DEL DOMENICHINO 


Engraving after Domenichino. Apell No. 2. First 
state. Proof before the title on India paper. With full 
margin. Fine. 


91 


566 


567 


568 


569 


570 


671 


572 


DAVID WILKIE 
1785-1841 
One of the most celebrated English genre painters. 


THE BLIND FIDDLER 


Engraving by J. Burnet. Open letter proof. With 
small margin. 


COLUMBUS PROPOUNDING HIS THEORY OF A 
NEW WORLD 


Engraving by H. T. Ryall. Proof before all letters on 
plate-paper. Also an unfinished trial proof (the 
etching only) with an interesting inscription in pencil 
by Thos. Boys to H. S. Ee Both with full 
margin. (2) 


THE CUT FINGER 


Engraving by A. Raimbach. Open letter proof on 
India paper. With margin. Fine impression. 


THE PEDLAR 


Engraving by James Stewart. Open letter proof on 
India paper. With full margin. (2) 


THE LETTER OF INTRODUCTION 
Engraving by J. Burnet. 


DUNCAN GRAY 


Engraving by F. Engleheart. Open letter proofs. One 
with ample margin, the other trimmed inside the plate- 
marke (2) 


THE RENT DAY 


Engraving in mixed manner by A. Raimbach. Lettered 
impression on India paper. With full margin. Colored 
by hand. 


THE READING OF THE WILL 


Engraving by J. Burnet. Open letter proof on India 
paper. With full margin. Fine impression. 


From the Boerner collection and from another, the mark of 
which is unknown to Fagan. 


THE VILLAGE POLITICIANS 


Line-engraving by A. Raimbach. Apell No. 5. Open 
letter proof on plate-paper. Framed. 


92 


EDUARD WILLMANN 
1820-1877 


0/3 THE FOUR SEASONS 


Set of four painter-engravings. Apell Nos. 7-10. Signed 
artist’s proofs on India paper. With full margins. (4) 


574 IM FRUHLING after L. Knaus 


IM HERBST after Van Camp 


Line-engravings. Proofs before the titles on India 
paper. With wide margins. (2) 


SYDNEY E. WILSON 


Contemporary English mezzotint engraver and color printer. His 
work ranks with that of S. Arlent Edwards as among the finest examples 
of modern mezzotints in color. 


575 MRS. BERESFORD 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full 
margin. 


576 NATURE (The Calmady Children) 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full margin. 
One of the artist’s masterpieces. 


577 MRS. CANNING AND CHILD 


Mezzotint printed in colors after George Romney. 
Signed open letter proof, on India paper. With full 
margin. 


578 MISS CROKER 
Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full margin. 


579 THE DUCHESS OF DEVONSHIRE 
Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof, on India paper. With full margin. 


580 MRS. GRAHAM : 
Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof, on India paper. With full margin. 


93 


581 


682 


583 


084. 


585 


586 


587 


588 


589 


590 


LADY HALLETT 


Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof, on India paper. With full margin. 
One of the artist’s masterpieces. 


LADY HAMILTON AS CIRCE 


Mezzotint printed in colors after George Romney. 
Signed artist’s proof, on India paper. With full 
margin. 


LADY HAMILTON AS NATURE 


Mezzotint after George Romney. Signed artist’s proof, 
on India paper. With full margin. 


ANOTHER IMPRESSION OF THE SAME 


Signed open letter proof, printed in colors, on India 
paper. With full margin. One of the artist’s master- 
pieces. 


MASTER HARE 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full margin. 
One of the artists masterpieces. 


MADAME LEBRUN AND CHILD 


Mezzotint printed in colors after Madame Vigée Lebrun. 
Signed open letter proof, on India paper. With full 
margin. 


MRS. MUSTERS 


Mezzotint printed in colors after George Romney. 
Signed artist’s proof, on India paper. With full margin. 


LADY PEEL 


Mezzotint printed in colors after Sir Thomas Lawrence. 
Signed artist’s proof, on India paper. With full margin. 


LADY SHEFFIELD 


Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof, on India paper. With full margin. 


MRS. SHERIDAN 


Mezzotint printed in colors after Thomas Gainsborough. 
Signed artist’s proof, on plate paper. With full margin. 


94 


p91 LADY SMYTH AND CHILDREN 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed open letter proof, on India paper. With full 
margin. One of the artist’s masterpieces. 


592 MRS. MICHAEL ANGELO TAYLOR AS MIRANDA 


Mezzotint printed in colors after John Hoppner. Signed 
artist’s proof, on India paper. With margin. 


593 LADY TAYLOR 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof, on India paper. With full margin. 


094 THE LADIES WALDEGRAVE 


Mezzotint printed in colors after Sir Joshua Reynolds. 
Signed artist’s proof, on India paper. With full margin. 


One of the artist’s masterpieces. 


WILLIAM HENRY WORTHINGTON 
About 1795-after 1833 
English line engraver. 


695 JOHN GILPIN 


Engraving after Stothard. Open letter proof on Dutch 
paper. With margin. 


G. ZOBEL 
1812-1881 
Mezzotint engraver working in the mixed manner. 


596 COMTESSE ROSSI SONTAG 


Mezzotint after Solome. Open letter proof on India 
paper with margin. 


097 LADY WALDEGRAVE AND CHILD 


Mezzotint after Sir Joshua Reynolds. Impression with 
the inscription, on India paper. With margin. 


LAD83-D3038 


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GETTY CENTER 


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B! EXTRACT FROM THE WILL OF EDMOND DEGONCOURT fs 
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@ My wish is that my Drawings, my Prints, my 
Curiosities, my Books—in a word these things of — 
art which have been the joy of my life—shall not — 
be consigned to the cold tomb of a museum, and sub- 


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| jected to the stupid glance of the careless passer-by; _[ 
= but I require that they shall all be dispersed under i a 
FF the hammer of the Auctioneer, so that the pleasure F ' 
x which the acquiring of each one of them has given — f 
“4 me shall be given again, in each case, to some inheri- : 
p - tor of my own tastes. ) bs 
B! bs 
oi SALE OF THE ROBERT HOE LIBRARY ‘ Z C 
oY Part I. April 24—May 5, 1911 e $997,366.00 — if 
(}} Part Il. January 8-19, 1912 471,619.25 [) 
F Part Il. April 15-16, 1912 200,150.50 ig . 
KY Part IV. November 11-22, 1912 262,920.85 | g 
Bi : Total, | $1,932,056.60 ian 


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